Overview

Wiretapping is nearly as old as electronic communications. Telegraph operators intercepted enemy messages during the Civil War. Law enforcement agencies were listening to private telephone calls as early as 1895. Communications firms have assisted government eavesdropping programs since the early twentieth century--and they have spied on their own customers too. Such breaches of privacy once provoked outrage, but today most Americans have resigned themselves to constant electronic monitoring. How did we get from there to here? In The Listeners, Brian Hochman shows how the wiretap evolved from a specialized intelligence-gathering tool to a mundane fact of life. He explores the origins of wiretapping in military campaigns and criminal confidence games and tracks the use of telephone taps in the US government's wars on alcohol, communism, terrorism, and crime. While high-profile eavesdropping scandals fueled public debates about national security, crime control, and the rights and liberties of individuals, wiretapping became a routine surveillance tactic for private businesses and police agencies alike. From wayward lovers to foreign spies, from private detectives to public officials, and from the silver screen to the Supreme Court, The Listeners traces the surprising history of wiretapping and electronic eavesdropping in America.

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Brian Hochman is director of American studies and associate professor of English at Georgetown University. He is the author of Savage Preservation: The Ethnographic Origins of Modern Media Technology, which was a finalist for the American Studies Association's Laura Romero Prize for best first book. Phil Thron is a classically trained actor who has worked on stage, TV, and behind the microphone for several decades. A voracious reader and a devoted chatterbox, bringing these skills to the world of audiobook narration was a natural evolution, and for several years now, a wonderful obsession. Now, nothing gives him more pleasure than bringing authors' worlds to life and getting listeners to lean in. When he's not recording from his home studio in New Jersey, Phil can be found playing tennis, reading or listening to books, watching movies, spending time with his family, and, perhaps, playing guitar. Badly. Really badly. Don't laugh, it's just an unfortunate truth.

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