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O'Casey, the Dramatist is the first study to analyse each of Sean O'Casey's plays in the context of the whole body of his work. His first plays were performed by the Abbey Theatre in Dublin until it refused The Silver Tassie, a rejection that brought about a most acrimonious debate, broke up friendships, and caused O'Casey to sever his links with the Abbey. Its directors were unable to understand the first of his experimental plays, and could not appreciate its true quality. Thence­forth O'Casey's writing developed along new lines, mostly away from his Irish roots.

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Maurice Harmon, a distinguished academic, literary critic and scholar, has published studies of Irish writers from William Carleton to Seán O'Faoláin, Mary Lavin, and Benedict Kiely, from Austin Clarke to Thomas Kinsella, Seamus Heaney, and Dennis O'Driscoll. Harmon's career as editor-founder of the Irish University Review and his publications, including Sean O'Faolain: A Life, 1994; the ground-breaking anthology, Irish Poetry after Yeats, 1979; Selected Essays, 2006; Thomas Kinsella: Designing for the Exact Needs, 2008; with The Dialogue of the Ancients of Ireland, his translation of Accalam na Senórach, the medieval compendium of stories and poems, 2009, among others, affirm him as one of the elect. His reputation as a poet has grown with the publication of the stylish and humane Loose Connections (Salmon, 2012) and the compassionate Hoops of Holiness (Salmon, 2016). afterwords (Salmon, 2020) is his seventh collection.

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