Overview

Centering on the British kitchen sink realism movement of the late 1950s and early 1960s, specifically its documentation of the built environment’s influence on class consciousness, this book highlights the settings of a variety of novels, plays, and films, turning to archival research to offer new ways of thinking about how spatial representation in cultural production sustains or intervenes in the process of social stratification. As a movement that used gritty, documentary-style depictions of space to highlight the complexities of working-class life, the period’s texts chronicled shifts in the social and topographic landscape while advancing new articulations of citizenship in response to the failures of post-war reconstruction. By exploring the impact of space on class, this book addresses the contention that critical discourse has overlooked the way the built environment informs class identity.

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9781350193154

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"""Simon Lee sets out an important and compelling case for how the kitchen sink realism of the 1950s and 1960s moved beyond 1930s proletarian representations to establish new forms of classed identity, which remain the benchmark for working-class writing today."" --Nick Hubble, Professor of Modern and Contemporary English, Brunel University, UK"

An innovative and intelligent contribution to the rapidly developing field of working-class literary studies and its project of recovering different voices, perspectives, and ways of understanding, of rethinking what literature is and what it does. * English Studies * Simon Lee sets out an important and compelling case for how the kitchen sink realism of the 1950s and 1960s moved beyond 1930s proletarian representations to establish new forms of classed identity, which remain the benchmark for working-class writing today. * Nick Hubble, Professor of Modern and Contemporary English, Brunel University, UK *

Author Information

Simon Lee is Assistant Professor of English at Texas State University, USA where he researches and teaches Post-WWII British literature, social class and labour history. He has published on writers such as Colin MacInnes, Shelagh Delaney, John Osborne and Pat Barker, and on topics such as immigration, nationalism and cultural identity.

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