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OverviewWhat exactly makes creative thinking so magical that, somehow, everyone can be creative and, by implication, creativity is a good thing to have-to the point that this popular view is fast becoming a fashionable nonsense in this day and age of ours? To put things in a historical perspective-this popular view contrasts sharply with the opposing view in the older days (e.g., during the Enlightenment and Romantic eras), when people used to think that creativity was primarily for the selected few with extraordinary abilities. Contrary to the respective conventional wisdom in each of the two opposing eras, neither of the two views is valid. Ours is no more so than theirs. This is not to imply, of course, that there are only a few instances of creativity in human history, or, in reverse, that creativity can be equally taught to everyone-and, for that matter, that there is absolutely nothing good about creativity. Obviously, extreme views like this are far from the truth.The point in this book, however, is to show an alternative (better) way to understand the nature of creative thinking, which goes beyond both convergent and divergent thinking, while learning from them. The current fashionable nonsense on creative thinking has tended to minimize its hidden downsides and exaggerate its overstated promises, as part of a new ideology in this age of ours. In addition, there is nothing intrinsically good (or bad) about creative thinking -just as there is nothing essentially good (or evil) about God, the King, Motherland, or the like, by analogy. They have all been used and misused in accordance to the interests and powers that be over the ages.If true, this seminal view will fundamentally change the way that we think about the nature of imagination and intuition, with its enormous implications for the future of invention and innovation, in a small sense, and what I originally called its post-human fate, in a large one. Full Product DetailsAuthor: Peter Baofu, PhDPublisher: Cambridge Scholars Publishing Imprint: Cambridge Scholars Publishing Edition: Unabridged edition Dimensions: Width: 14.80cm , Height: 3.00cm , Length: 21.20cm Weight: 0.635kg ISBN: 9781443804882ISBN 10: 1443804886 Pages: 390 Publication Date: 04 February 2009 Audience: Professional and scholarly , Professional and scholarly , Professional & Vocational , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationDr. Peter Baofu is the author of 20 books, with 2 more books to appear in the first half of 2009, in numerous fields ranging from the social sciences through the humanities and the formal sciences to the natural sciences. He is known for his pioneering works on post-humanity, post-capitalism, post-democracy, contrastive advantages, ambivalent technology, authoritarian liberal democracy, the post-post-Cold-War era, post-civilization, transformative aesthetic experience, synthetic information architecture, contrastive mathematical logic, dialectic complexity, after-postmodernity, sophisticated methodological holism, post-human space-time, existential dialectics, unfolding unconsciousness, floating consciousness, hyper-spatial consciousness, and so on. He earned an entry to the list of prominent and emerging writers in Contemporary Authors (2005) and another honorary entry in The Writers Directory (2007). He was a U.S. Fulbright Scholar in the Far East. He had taught as a professor at different universities in Western Europe, the Caucasus, the Middle East, the Balkans, Central Asia, and North America. He finished more than 5 academic degrees, including a Ph.D. from M.I.T., and was a summa cum laude graduate. Tab Content 6Author Website:Countries AvailableAll regions |
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