Overview

Woolston takes universal teenage suffering and struggle and distills them into a character and story that's completely unique--like a random brain floating and observing alone in the universe. High school, heartbreak, a miserable job, and a family as happy as sack full of wet cats--anyone can cope with that. But add hallucinations to the mix and you've got either a craptastic life or a serious puzzle to crack. FREAK OBSERVER is a realistic YA novel set in contemporary rural Montana. It is rich in theoretical physics, murdered chickens, and an unusual and resilient main character ... Loa Lindgren. She's spent sixteen years getting by on duct tape, guts, and ingenuity. She has a boot load of gumption and the problem solving skills she's sharpened in physics and computer programming. She also has a crippling case of PTSD and a plan to deal with it. She's determined to debug her own short-circuiting brain. If she keeps her eyes open and her neurons busy, there will be less chance for her imagination to brew up nightmares and panic attacks--and she will understand what it means to be a Freak Observer who identifies pattern and beauty in chaos.

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9780761381327

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Reviews

Loa has post-traumatic stress disorder (PTSD) stemming from the death of her little sister, and the more recent death of a classmate--which she witnessed. She is on her own dealing with her nightmares of the Bony Guy (death) and panic attacks. She uses physics and alcohol to help herself through it. She has family, but they are in their own stages of grief and cannot reach out to Loa. Only side characters, Corey and Jack, breach the pain and grief to help her. Each chapter begins with pseudo-math and physics questions that set the tone of the chapters. Loa's voice is the story's strength. She's wry, observant, and honest in her narration. Without the strength of her voice, the book would completely fail. The story unravels very slowly which will leave readers wondering what has made Loa the way she is. The abrupt change of scenery and the introduction of Jack, the non-neurotypical guy, bring about the tidy, yet hopeful, ending. This melancholic contemporary novel has many stellar moments that will appeal to issue-driven novel readers, but will need to be handsold through booktalking to reach a wider teen audience. --VOYA Readers meet 16-year-old Loa in her guidance counselor's office as she is being encouraged to return to her schoolwork after witnessing her friend's death in a road accident. Although physically battered and bruised, Loa seems disengaged, which is surprising until it quickly becomes clear that this horrific event is one in a series, including the death of her baby sister, that has torn her family to shreds. This text provides a sharp snapshot of Loa's life as she battles PTSD from these events and attempts to conquer related vivid death-related dreams and hallucinations. Anchoring each chapter is a short question or statement, generally related to science, that ties to the forthcoming chapter--although Woolston makes readers work to see the connection, enabling them to understand Loa on another deeper level. A keenly observant narrator noticing life's small details, Loa holds nothing back, which is both riveting and heartbreaking. An auspicious debut for both the author and Carolrhoda's new Lab imprint. --Kirkus Reviews Sixteen-year-old Loa Lindgren's family is emotionally splintered and drifting following the death of her younger sister Asta, whose Rett syndrome necessitated constant care and kept the family on a rigid schedule. Plagued by PTSD and nightmares about death, Loa clings to household chores, watching over her younger brother, and her beloved physics to rebuild a sense of normalcy. With no real plot, the novel feels fragmentary, mirroring the protagonist's feelings of disconnection. Incidents such as the death of her classmate in the opening pages, Loa's extra-credit physics project on the phenomenon of the freak observer (Boltzmann brain paradox), and her failed relationship with her debate partner are explained in chunks of narrative scattered throughout the text, which may confuse some readers. However, the author has created a likable narrator in Loa. Readers will root for a happy ending, though probably not be surprised by the deliberately ambiguous one that nonetheless hints at a hopeful future. Teens will either love or loathe the book with no middle ground likely for such a unique, disturbing, creative story. --School Library Journal Sixteen-year-old Loa's story begins in a tangle of turmoil. She witnesses a truck kill her friend Esther, an event that too vividly brings back memories of the death of Loa's sister, who suffered complications from Rett syndrome. Loa's parents are angered and haunted by the cruel turns of their lives, so Loa focuses upon her desultory job and her way-out-there astrophysics homework. Woolston's talent for dialogue and her unique approach to scenes makes what sounds standard about this story feel fresh and vital. What is most surprising and rewarding, though, is how the novel deprioritizes these dramatic elements to follow the flow of Loa's life--it's difficult to move on from trauma, but sometimes you just can't help it. A nebulous sexual relationship with a boy who posts pictures of himself and Loa on the Internet provides much of the push-and-pull, but it's a new friendship with an odd boy at her new school that offers the best chance of relief. A strong debut about learning to see yourself apart from the reflection you cast off others. --Booklist Woolston's morbid and layered debut delves into the shattered life of 16-year-old Loa, whose younger sister, Asta, died of a genetic mutation and who, more recently, lost a friend in a tragic accident. Loa suffers the effects of PTSD, including vivid nightmares and flashbacks, which are gracefully written and interspersed throughout. Amid their grief over Asta's death and financial problems, Loa's parents neglect her pain as the family tries to scrape by. 'After all those years of fighting hard, we lost. Now we get drunk. We hit each other. When the truck won't start, we punch the windshield so hard the shatterproof glass breaks. Is this depression or anger?' she asks. Loa is strong, but overburdened and isolated; laced with bleak humor, her deadened, searching narration carries this dark and highly promising first novel. The chapters begin with questions or statements, usually drawn from physics, biology, or math, which tie in to Loa's struggles ('What should you do if you are stuck on frictionless ice? Assume you are nude and there is no atmospheric resistance') as she tries to find her way. --Publishers Weekly

Loa has post-traumatic stress disorder (PTSD) stemming from the death of her little sister, and the more recent death of a classmate--which she witnessed. She is on her own dealing with her nightmares of the Bony Guy (death) and panic attacks. She uses physics and alcohol to help herself through it. She has family, but they are in their own stages of grief and cannot reach out to Loa. Only side characters, Corey and Jack, breach the pain and grief to help her. Each chapter begins with pseudo-math and physics questions that set the tone of the chapters. Loa's voice is the story's strength. She's wry, observant, and honest in her narration. Without the strength of her voice, the book would completely fail. The story unravels very slowly which will leave readers wondering what has made Loa the way she is. The abrupt change of scenery and the introduction of Jack, the non-neurotypical guy, bring about the tidy, yet hopeful, ending. This melancholic contemporary novel has many stellar moments that will appeal to issue-driven novel readers, but will need to be handsold through booktalking to reach a wider teen audience. --VOYA Readers meet 16-year-old Loa in her guidance counselor's office as she is being encouraged to return to her schoolwork after witnessing her friend's death in a road accident. Although physically battered and bruised, Loa seems disengaged, which is surprising until it quickly becomes clear that this horrific event is one in a series, including the death of her baby sister, that has torn her family to shreds. This text provides a sharp snapshot of Loa's life as she battles PTSD from these events and attempts to conquer related vivid death-related dreams and hallucinations. Anchoring each chapter is a short question or statement, generally related to science, that ties to the forthcoming chapter--although Woolston makes readers work to see the connection, enabling them to understand Loa on another deeper level. A keenly observant narrator noticing life's small details, Loa holds nothing back, which is both riveting and heartbreaking. An auspicious debut for both the author and Carolrhoda's new Lab imprint. --Kirkus Reviews Sixteen-year-old Loa Lindgren's family is emotionally splintered and drifting following the death of her younger sister Asta, whose Rett syndrome necessitated constant care and kept the family on a rigid schedule. Plagued by PTSD and nightmares about death, Loa clings to household chores, watching over her younger brother, and her beloved physics to rebuild a sense of normalcy. With no real plot, the novel feels fragmentary, mirroring the protagonist's feelings of disconnection. Incidents such as the death of her classmate in the opening pages, Loa's extra-credit physics project on the phenomenon of the freak observer (Boltzmann brain paradox), and her failed relationship with her debate partner are explained in chunks of narrative scattered throughout the text, which may confuse some readers. However, the author has created a likable narrator in Loa. Readers will root for a happy ending, though probably not be surprised by the deliberately ambiguous one that nonetheless hints at a hopeful future. Teens will either love or loathe the book with no middle ground likely for such a unique, disturbing, creative story. --School Library Journal Woolston's morbid and layered debut delves into the shattered life of 16-year-old Loa, whose younger sister, Asta, died of a genetic mutation and who, more recently, lost a friend in a tragic accident. Loa suffers the effects of PTSD, including vivid nightmares and flashbacks, which are gracefully written and interspersed throughout. Amid their grief over Asta's death and financial problems, Loa's parents neglect her pain as the family tries to scrape by. 'After all those years of fighting hard, we lost. Now we get drunk. We hit each other. When the truck won't start, we punch the windshield so hard the shatterproof glass breaks. Is this depression or anger?' she asks. Loa is strong, but overburdened and isolated; laced with bleak humor, her deadened, searching narration carries this dark and highly promising first novel. The chapters begin with questions or statements, usually drawn from physics, biology, or math, which tie in to Loa's struggles ('What should you do if you are stuck on frictionless ice? Assume you are nude and there is no atmospheric resistance') as she tries to find her way. --Publishers Weekly Sixteen-year-old Loa's story begins in a tangle of turmoil. She witnesses a truck kill her friend Esther, an event that too vividly brings back memories of the death of Loa's sister, who suffered complications from Rett syndrome. Loa's parents are angered and haunted by the cruel turns of their lives, so Loa focuses upon her desultory job and her way-out-there astrophysics homework. Woolston's talent for dialogue and her unique approach to scenes makes what sounds standard about this story feel fresh and vital. What is most surprising and rewarding, though, is how the novel deprioritizes these dramatic elements to follow the flow of Loa's life--it's difficult to move on from trauma, but sometimes you just can't help it. A nebulous sexual relationship with a boy who posts pictures of himself and Loa on the Internet provides much of the push-and-pull, but it's a new friendship with an odd boy at her new school that offers the best chance of relief. A strong debut about learning to see yourself apart from the reflection you cast off others. --Booklist

Author Information

Blythe Woolston works as professional book indexer for academic presses. She is the author of The Freak Observer which has already won the ABC New Voices Pick award, the Moonbeam Children's Book Award, and the William C. Morris YA Debut Award since its Fall 2010 publication.

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