Overview

Folktales are instrumental in ensuring the survival of oral traditions and strengthening communal bonds. Both the stories and the process of storytelling itself help to define social, cultural and political identity. For Palestinians, the threat of losing their heritage has engendered a sense of urgency among storytellers and Palestinian folklorists. Yet there has been remarkably little academic scholarship dedicated to the tradition. Farah Aboubakr here analyses a selection of folktales edited, compiled and translated by Ibrahim Muhawi and Sharif Kanaana in Speak, Bird, Speak Again (1989). In addition to the folktales themselves, Muhawi and Kanaana’s collection is renowned for providing readers with extensive folkloric, historical and anthropological annotations. Here, for the first time, the folktales and the compilers’ work on them, are the subject of scholarly analysis. Synthesising various disciplines including memory studies, gender studies and social movement studies, Aboubakr uses the collection to understand the politics of storytelling and its impact on Palestinian identity. In particular, the book draws attention to the female storytellers who play an essential role in transmitting and preserving collective memory and culture. The book is an important step towards analysing a significant genre of Palestinian literature and will be relevant to scholars of Palestinian politics and popular culture, gender studies and memory studies, and those interested in folklore and oral literature.

Full Product Details

Author:   Farah Aboubakr (University of Edinburgh, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   I.B. Tauris
Weight:   0.540kg
ISBN:  

9781788314268

ISBN 10:   1788314263
Pages:   256
Publication Date:   21 March 2019
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Note on Transliteration Introduction Chapter 1. Collective Memory in Palestine: Introductory Note Palestinian Oral History The 1948 Nakba, Trauma and Nostalgia Storytelling and Language Chapter 2. Palestinian Folktales: Speak, Bird, Speak Again (1989) and Qul Ya Tayer (2001) Folktales: Reality versus Imagination Palestinian Folk Narratives The Society of Storytellers in Palestine The Functions of Folktales in Palestinian Society The Psychological Function The Social Function The Belief Function Paratextual Material in Speak, Bird, Speak Again and Qul ya Tayer ??? ?? ??? Pre-Introduction Paratextual Materials (Materials Before the Introduction) Paratextual Materials within the Tales The Tales and Post-Tales Paratextual Materials (Materials Appearing at the End of the Collections) The Tales Chapter 3. Palestinian Women and the Preservation of Memory in Palestinian Folktales Mother - Daughter Narrative Mother - Son Narrative Siblings' Narrative Sexual Awakening Marriage Chapter 4. Cultural Identity and Sites of Memory in Palestinian Folktales Peasantry as a Site of Memory and Identity Recreating the Homeland Peasantry and Collective Identity Language and Folk Religion in Society, Environment and Universe Groups of Folktales Food and Memory Prospective Memory Sensuous Memory Food and Women: Agents of Memory Final Reflections Bibliography Appendix 1 - Interview with Dr Sharif Kanaana Appendix 2 - Table of Footnotes Appendix 3 - Summaries of Tales in Chapter Three Appendix 4 - The Old Woman and Her Cat Al-? juz w al-bis and Dunglet Ba ? irun Appendix 5 - Summaries of Tales in Chapter Four

Reviews

There is much to glean from Aboubakr's detailed and carefully-referenced work. Besides filling an important gap in academic work on Palestinian culture and heritage, the book enables the reader to comprehend the interwoven strands of Palestinian society and memory and how, without displacing the importance of Palestinian resistance, there are complementary and equally important means through which the historical trauma of the Nakba can be communicated with resilience. * Middle East Monitor * This book is a timely critical contribution towards expanding the analysis and significance of oral artistic forms of expression in the Palestinian context. In addressing the importance of different forms of orality in the Palestinian context, it re-centers Palestinian voices and aspirations and emphasises their significance in the face of attempts to erase them. -- Dina Matar, Chair, Centre of Palestine Studies, SOAS

This book is a timely critical contribution towards expanding the analysis and significance of oral artistic forms of expression in the Palestinian context. In addressing the importance of different forms of orality in the Palestinian context, it re-centers Palestinian voices and aspirations and emphasises their significance in the face of attempts to erase them. -- Dina Matar, Chair, Centre of Palestine Studies, SOAS

There is much to glean from Aboubakr's detailed and carefully-referenced work. Besides filling an important gap in academic work on Palestinian culture and heritage, the book enables the reader to comprehend the interwoven strands of Palestinian society and memory and how, without displacing the importance of Palestinian resistance, there are complementary and equally important means through which the historical trauma of the Nakba can be communicated with resilience. * Middle East Monitor * This book is a timely critical contribution towards expanding the analysis and significance of oral artistic forms of expression in the Palestinian context. In addressing the importance of different forms of orality in the Palestinian context, it re-centers Palestinian voices and aspirations and emphasises their significance in the face of attempts to erase them. * Dina Matar, Chair, Centre of Palestine Studies, SOAS * For readers and students alike, there is no better example of [folktale scholarship] than Aboubakr's work. Her book not only provides a critical gateway to the tales as they are presented in Muhawi and Kanaana's collections, but also functions as an excellent introduction to Palestinian folk heritage. * Contemporary Levant * Students of folklore and of folk narratives generally will thank Aboubakr for her meticulous examination, under an academic microscope, of the role of folktales in Palestinian society, the role of women as storytellers, and the role of compilers in choosing which stories to publish. * Journal of Palestine Studies *

Author Information

Farah Aboubakr is a teaching fellow and researcher at the University of Edinburgh. She specialises in memory studies and Palestinian popular culture and has published in the peer-reviewed journal Marvels & Tales. She completed her PhD at the University of Manchester.

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