Overview

Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches. Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian vernacular music on the formation of his musical style elucidate the roots of Joachim's identity. The later chapters focus on his personal and creative responses to the contentious and rapidly evolving cultural milieu in which he lived: his choice of instruments as his musical ""voice,"" his performances as sites of (re)enchantment in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.

Full Product Details

Author:   Valerie Woodring Goertzen (Person) ,  Robert Whitehouse Eshbach ,  Styra Avins (Customer) ,  Prof Dr Beatrix Borchard
Publisher:   Boydell & Brewer Ltd
Imprint:   The Boydell Press
Dimensions:   Width: 15.60cm , Height: 1.50cm , Length: 23.40cm
Weight:   0.001kg
ISBN:  

9781783276547

ISBN 10:   1783276541
Pages:   376
Publication Date:   01 December 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"Introduction: The Creative Worlds of Joseph Joachim Robert Whitehouse Eshbach PART ONE: Identity 1. ""Of the Highest Good"": Joachim's Relationship to Mendelssohn R. Larry Todd 2. Joseph Joachim and His Jewish Dilemma Styra Avins 3. Joachim and Romani Musicians: Their Relationship and Common Features in Performance Practice Mineo Ota PART TWO: Joachim as Performer4. Joachim's Violins: Spotlights on Some of Them Ruprecht Kamlah 5. (Re-)Enchanting Performance: Joachim and the Spirit of Beethoven Karen Leistra-Jones 6. ""Thou That Hast Been in England Many a Year"": The British Joachim Ian Maxwell 7. Joachim at the Crystal Palace Michael Musgrave 8. ""Music Was Poured by Perfect Ministrants"": Joseph Joachim at the Monday Popular Concerts, London Therese Ellsworth 9. ""Das Quartett-Spiel ist doch wohl mein eigentliches Fach"": Joseph Joachim and the String Quartet Robert Riggs 10. Professor Joachim and His Pupils Sanna Pederson 11. Performers as Authors of Music History: Joseph and Amalie Joachim Beatrix Borchard 12. At the Intersection of Performance and Composition: Joseph Joachim and Brahms's Piano Quartet in A Major, Op. 26, Movement III William P. Horne PART THREE: Joachim as Composer 13. Re-considering the Young Composer-Performer Joseph Joachim, 1841-53 Katharina Uhde 14. ""Franz Liszt gewidmet"": Joseph Joachim's G-minor Violin Concerto, Op. 3 Vasiliki Papadopoulou 15. Drama and Music in Joachim's Overture to Shakespeare's Henry IV Valerie Woodring Goertzen 16. ""So Gleams the Past, the Light of Other Days"": Joachim's Hebräische Melodien for Viola and Piano, Op. 9 (1853) Marie Sumner Lott 17. Tovey's View of Joachim's ""Hungarian"" Violin Concerto Robert Riggs Bibliography Index"

Reviews

A responsible, far-reaching, provocative series of essays.Essential. -- CHOICE MAGAZINE

A responsible, far-reaching, provocative series of essays. Essential. * CHOICE MAGAZINE *

Author Information

VALERIE WOODRING GOERTZEN is Professor of Music History, Loyola University New Orleans. ROBERT W. ESHBACH is Associate Professor of Music, University of New Hampshire. ROBERT W. ESHBACH is Associate Professor of Music, University of New Hampshire. VALERIE WOODRING GOERTZEN is Professor of Music History, Loyola University New Orleans. IAN MAXWELL is an Honorary Research Fellow, Music Department, University of Sheffield.

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