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Excerpt from The Composition of the Book of Daniel Before passing in review the contents of Daniel, a word should be said with reference to the languages in which it is written. As is well known, the portion of the book between ch. 24 and 728 is in Aramaic, while the rest exists in Hebrew. This Aramaic section crosses the line between ch. 6 and 7, where the division in the book has usually been made by critics, and cannot well be made an ele ment in the analysis. Chapter 7, which belongs to the visions, is written in the Aramaic tongue, in which the history is narrated. On the whole, the best explanation of the presence of the two languages is that now accepted by several scholars 2 Degrees who hold that it was written in Hebrew, and that then the author, or some friend of his, issued an Aramaic edition. Later, when a part of the Hebrew was in time of persecution lost, its deficiency was supplied from the Aramaic ver51on, hence the present bi-lingual form of the book. It is, however, in this Aramaic portion that those expressions occur upon which most writers rely for those earmarks of style by which they prove unity of authorship.21 If, however, it should appear that the so-called author, who may have made the Aramaic version, was simply an editor who compiled the work and wrote the preface (ch. The marks of style might then conceivably be due to the liberty which the translator allowed himself. Some features of the case, which will appear more clearly at a later point, render this supposition improbable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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