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Awareness of bipolar disorder has increased in recent years, but misunderstanding and stereotypical representations remain. Coleman provides an insightful examination of the depiction of bipolar disorder in cinema and of how it has impacted filmmaking itself. Covering cinematic creation from its very beginnings to the 2000s, the author posits that the combination of cinematic talent and behaviors associated with mood disorders can result in visionary cinema production. The author starts with a brief overview of bipolar disorder and its relation to creativity and speculates that US cinematic invention can be a by-product of bipolar disorder. He goes on to look at how bipolar disorder has been depicted in film over the decades and concludes with the current depiction of the reality of mental illness. Coleman analyzes writers, directors, and actors who have displayed behaviors symptomatic of bipolar disorder, supporting his argument that mood disorders can be a component in the creation of quixotic cinema. A thought-provoking, though quirky, read for students of film, mental health professionals, and those interested in creativity and mental health in general. Summing Up: Recommended. With reservations. Upper-division undergraduates through faculty; general readers. CHOICE

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David Coleman is an independent film distributor and author of numerous magazine articles. He is the author of The Bigfoot Filmography: Fictional and Documentary Appearances in Film (2012).

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