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OverviewFull Product DetailsAuthor: Christian Meyer , translated by Karen DesmondPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780367599140ISBN 10: 0367599147 Pages: 168 Publication Date: 30 June 2020 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationChristian Meyer (CNRS), is the author of numerous books and articles on medieval music theory and, with Michel Huglo, of the catalogues of music theory, RISM B III, vols. 3-6 (1986-2003). He has edited monochord measurements (1996), treatises from the Garlandian tradition (1998), and the Musica of Hieronymus de Moravia (Corpus Christianorum, 2012). The translator, Karen Desmond (McGill University), researches the intersection between the intellectual and aesthetic experience of music in the later Middle Ages. She has published articles and reviews in Early Music History, Musica disciplina, Journal of Musicology, Journal of Plainsong and Medieval Music, Early Music, The Medieval Review and Notes. The translator of Christian Meyer’s introduction and critical notes, Barbara Haggh-Huglo (University of Maryland), has edited liturgical offices for St. Elizabeth of Hungary (1995) and the Order of the Golden Fleece (2007), and published articles on early music in Brussels, Ghent, Cambrai, and Paris, Johannes Ciconia as theorist, and, with Michel Huglo, on music theory in medieval Parisian libraries. Tab Content 6Author Website:Countries AvailableAll regions |
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