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OverviewFull Product DetailsAuthor: Christopher Morton , Darren NewburyPublisher: Taylor & Francis Ltd Imprint: Bloomsbury Academic Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.576kg ISBN: 9781474284660ISBN 10: 1474284663 Pages: 260 Publication Date: 24 March 2016 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPrefaceList of IllustrationsList of Contributors1. Introduction, Christopher Morton and Darren NewburyPart I: Connected Histories2. Richard Buchta and the Visual Representation of Equatoria in the Later 19th Century, Christopher Morton, University of Oxford, UK3. The Missionary, the Diviner and The Chief: Distributed Personhood and the Photographic Archive of the Mariannhill Mission, Christoph Rippe, University of Leiden, the NetherlandsPart II: Ethnographies4. Redeeming some Cameroonian Photographs: Reflections on Photographs and Representations, David Zeitlyn, University of Oxford, UK5. 'Celebrating Life': The Construction of Photographic Biographies in Funeral Rites Among Kenyan Christians, Heike Behrend, University of Cologne, Germany6. The Chairman’s Photographs: Political and Visual Economies in South-Western Uganda, Richard Vokes, University of Adelaide, AustraliaPart III: Political Framings7. Vernacular Recollections and Popular Photography in South Africa, John Peffer, Ramapo College of New Jersey, USA8. Searching for the 'Source Community': The Ronald Ngilima Photographic Archive and the Politics of Local History in Post-Apartheid South Africa, Sophie Feyder, University of Leiden, the Netherlands 9. Going and Coming Back: Curating the Post-Apartheid Archive, Darren Newbury, University of Brighton, UK10. Okombone: Compound Portraits and Photographic Archives in Namibia, Patricia Hayes, University of the Western Cape, South AfricaPart IV: Archival Propositions11. Versions of Fragmented History and (Auto)biography: On and From the Kaddu Wasswa Archive, Andrea Stultiens, independent artist from the Netherlands12. Vital Signs: 21st-Century Institutions for Photography in Africa, Erin Haney, George Washington University, USA and Jennifer Bajorek, University of Johannesburg, South AfricaBibliographyIndexReviewsAs a whole, The African Photographic Archive addresses many of the methodological, conceptual and analytical concerns that have become salient in studies of African photography in the recent past ... The African Photographic Archive opens up fruitful perspectives for future studies of African photography, and the book undoubtedly will be a rich fundus to students, curators, archivists and scholars of photography. - History of Photography This is a culturally relevant choice, reflecting the many ways that local communities collect and interact with photographs ... which will lead scholars down new avenues in their research, whether or not their focus is specific to Africa. - Art Libraries Society of North America - Robin Potter, University of New Mexico, USA This exciting collection treats photographic images and archives as messages offered to an unknown future. Traces of past events become revelatory in the hands of these stellar contributors. This is a book that should be read by everyone interested in the potential of new practices of visual history. - Christopher Pinney, Professor of Anthropology and Visual Culture at University College London, UK This is a timely and ground-breaking collection of essays that focusses on the construction of the African photographic archive as a contested, critical site of collection, reflection and re-invention. In eleven distinctive and finely-honed studies, the archive is stretched and extended - both geographically and theoretically - so that it ranges from the vernacular to the official, the ephemeral to the artistic, while opening up to question the very terms that it puts into place. - Tamar Garb, Durning Lawrence Professor in the History of Art at University College London, UK This excellent book is for those who want to be there, for those who care for the images they study and the social relationships implied. - Anthropos This exciting collection treats photographic images and archives as messages offered to an unknown future. Traces of past events become revelatory in the hands of these stellar contributors. This is a book that should be read by everyone interested in the potential of new practices of visual history. Christopher Pinney, Professor of Anthropology and Visual Culture at University College London, UK This is a timely and ground-breaking collection of essays that focusses on the construction of the African photographic archive as a contested, critical site of collection, reflection and re-invention. In eleven distinctive and finely-honed studies, the archive is stretched and extended - both geographically and theoretically - so that it ranges from the vernacular to the official, the ephemeral to the artistic, while opening up to question the very terms that it puts into place. Tamar Garb, Durning Lawrence Professor in the History of Art at University College London, UK As a whole, The African Photographic Archive addresses many of the methodological, conceptual and analytical concerns that have become salient in studies of African photography in the recent past ... The African Photographic Archive opens up fruitful perspectives for future studies of African photography, and the book undoubtedly will be a rich fundus to students, curators, archivists and scholars of photography. - History of Photography This is a culturally relevant choice, reflecting the many ways that local communities collect and interact with photographs ... which will lead scholars down new avenues in their research, whether or not their focus is specific to Africa. - Art Libraries Society of North America - Robin Potter, University of New Mexico, USA This exciting collection treats photographic images and archives as messages offered to an unknown future. Traces of past events become revelatory in the hands of these stellar contributors. This is a book that should be read by everyone interested in the potential of new practices of visual history. - Christopher Pinney, Professor of Anthropology and Visual Culture at University College London, UK This is a timely and ground-breaking collection of essays that focusses on the construction of the African photographic archive as a contested, critical site of collection, reflection and re-invention. In eleven distinctive and finely-honed studies, the archive is stretched and extended - both geographically and theoretically - so that it ranges from the vernacular to the official, the ephemeral to the artistic, while opening up to question the very terms that it puts into place. - Tamar Garb, Durning Lawrence Professor in the History of Art at University College London, UK This excellent book is for those who want to be there, for those who care for the images they study and the social relationships implied. - Anthropos Author InformationChristopher Morton is Curator of Photograph and Manuscript Collections at the Pitt Rivers Museum, Oxford, UK and Lecturer in Visual and Material Anthropology at the University of Oxford, UK. Darren Newbury is Professor of Photographic History and Director of Postgraduate Studies in the College of Arts and Humanities, University of Brighton, UK. Tab Content 6Author Website:Countries AvailableAll regions |
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