Teensy Meensy Mice Dyslexic Edition: Dyslexic Font

Author:   Donna Marie Merritt ,  Ed Heck
Publisher:   Maclaren-Cochrane Publishing
ISBN:  

9781643720654


Pages:   34
Publication Date:   04 September 2018
Recommended Age:   From 3 to 12 years
Format:   Paperback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Teensy Meensy Mice Dyslexic Edition: Dyslexic Font


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Author:   Donna Marie Merritt ,  Ed Heck
Publisher:   Maclaren-Cochrane Publishing
Imprint:   Maclaren-Cochrane Publishing
Dimensions:   Width: 21.60cm , Height: 0.20cm , Length: 21.60cm
Weight:   0.104kg
ISBN:  

9781643720654


ISBN 10:   1643720651
Pages:   34
Publication Date:   04 September 2018
Recommended Age:   From 3 to 12 years
Audience:   Children/juvenile ,  Children / Juvenile
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Donna Marie Merritt is a poet and children's author. Her most recent children's books are Hush That Hullabaloo!, illustrated by Chris Demarest, and Teensy Meensy Mice, illustrated by Ed Heck. Merritt's sixth book of poetry, No Winter Maintenance: Pass at Your Own Risk, is her newest release for adults. Her stories and poems have appeared in school reading programs, language arts books, Highlights High Five, Highlights Hello, and American Library Association's Book Links. Her poems have also been selected for a number of anthologies, including Caduceus (Yale Medical Group), Dear One: A Tribute to Lee Bennett Hopkins (National Council of Teachers of English), Book of Nature Poetry (National Geographic), The Poetry of Us (National Geographic), and One Minute Till Bedtime (Little, Brown and Company). Merritt has worked as a teacher, editor, communications director, and school librarian. Sophie's Soup Kitchen is her eighteenth children's book. Learn more at www.DonnaMarieBooks.com. The World Of Ed Heck Fresh. Bold. Engaging. These words often come to mind upon viewing the work of Ed HECK. One is immediately disarmed by the na ve charm of these brightly colored works on canvas. While Ed HECK's hand is painting a singular world - wild with the most vibrant and individual style - his eye is carefully observing the people and the world around him. A native New Yorker, HECK's career is as paradoxical as the universe he paints. A graduate of the School of Visual Arts, he went on to work at the American Museum of Natural History. His detailed drawings can be found throughout the museum's fossil halls. Although these carefully considered renderings might at first seem at odds with the unique universe of his imagination, they in fact represent two sides of the same coin. While Ed HECK's works on paper and canvas have lost all the excess baggage of detail, they are distilled into an essence that can only be the result of the most focused of study. His enigmatic canvases were first exhibited in New York City in 1999 and were an instant hit. Interest and demand continue to grow and HECK's work can now be found in galleries around the world. Unique style and mass appeal have forged his reputation as one of the leading pop artists of our time. The lively scribbles of Ed HECK's artwork can barely stay still on the canvas - in fact they haven't. Ed has written and illustrated numerous children's books including Monkey Lost, Big Fish, Little Fish and his own line of board books from Penguin Publishing titled ED HECK Just Board. His images have been licensed on apparel, home furnishings, dog toys, and a line of Ed HECK luggage and travel accessories. Welcome to THE WORLD OF ED HECK ! Bold Lines. Vibrant Colors. Powerful Shapes. The results are unmistakably HECK, and they add up to much more than the sum of their parts. Rarely has an artist said so much with such an economy of brush strokes.

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