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At a time when Dogon country is going through dark hours and people are forced to reject ancestral cultures in favor of a totalitarian religious thought, the work of Walter van Beek, Atime Saye, and Oumarou Ongoiba brings us a breath of fresh air. This archival document records and analyzes the chants of the baya ni performed during funeral ceremonies but also evokes the philosophical subtlety and wealth of the Dogon people. The reader will find in this work of great scientific and heritage value the opportunity to dream of the return of peace and wisdom at the foot of the Bandiagara Cliff.--Eric Huysecom This fine book does two things. First, it takes us deeply into the philosophical underpinnings of Dogon mortuary rituals. Second, by covering the sequence of songs performed in a single long night as experienced by the lead author, enhanced by excellent photos and drawings, it gives the reader a feeling of having been physically present there. This duality is rare in academic writing. The many comparisons between Dogon and Abrahamic religion make the book as accessible to a general Judeo-Christian readership as to anthropologists.--Jeffrey Heath

At a time when Dogon country is going through dark hours and people are forced to reject ancestral cultures in favor of a totalitarian religious thought, the work of Walter van Beek, Oumarou Ongoiba, and Atime Saye brings us a breath of fresh air. This archival document records and analyzes the chants of the baja ni performed during funeral ceremonies and also evokes the philosophical subtlety and wealth of the Dogon people. The reader will find in this work of great scientific and heritage value the opportunity to dream of the return of peace and wisdom at the foot of the Bandiagara Cliff.--Eric Huysecom, Geneva University Our interest in these funeral songs and prophecies of a Dogon musician and visionary is drawn initially to the transcription and elucidation of the verses, but greater profundity yet lies in the passages and allusions which confront us with the ultimately unfathomable. In its hesitations and openness to further interpretation, this text offers an intimate and compelling portrait. No outsider, however long their engagement, could confidently make such an analysis unaided, and this collaborative achievement would be a model for future work, if only copying it were not so demanding.--Richard Fardon, SOAS University of London This fine book does two things. First, it takes us deeply into the philosophical underpinnings of Dogon mortuary rituals. Second, by covering the sequence of songs performed in a single long night as experienced by the lead author, enhanced by excellent photos and drawings, it gives the reader a feeling of having been physically present there. This duality is rare in academic writing. The many comparisons between Dogon and Abrahamic religion make the book as accessible to a general Judeo-Christian readership as to anthropologists.--Jeffrey Heath, University of Michigan, Ann Arbor

At a time when Dogon country is going through dark hours and people are forced to reject ancestral cultures in favor of a totalitarian religious thought, the work of Walter van Beek, Oumarou Ongoiba, and Atime Saye brings us a breath of fresh air. This archival document records and analyzes the chants of the baya ni performed during funeral ceremonies and also evokes the philosophical subtlety and wealth of the Dogon people. The reader will find in this work of great scientific and heritage value the opportunity to dream of the return of peace and wisdom at the foot of the Bandiagara Cliff.--Eric Huysecom, Geneva University Our interest in these funeral songs and prophecies of a Dogon musician and visionary is drawn initially to the transcription and elucidation of the verses, but greater profundity yet lies in the passages and allusions which confront us with the ultimately unfathomable. In its hesitations and openness to further interpretation, this text offers an intimate and compelling portrait. No outsider, however long their engagement, could confidently make such an analysis unaided, and this collaborative achievement would be a model for future work, if only copying it were not so demanding.--Richard Fardon, SOAS University of London This fine book does two things. First, it takes us deeply into the philosophical underpinnings of Dogon mortuary rituals. Second, by covering the sequence of songs performed in a single long night as experienced by the lead author, enhanced by excellent photos and drawings, it gives the reader a feeling of having been physically present there. This duality is rare in academic writing. The many comparisons between Dogon and Abrahamic religion make the book as accessible to a general Judeo-Christian readership as to anthropologists.--Jeffrey Heath, University of Michigan, Ann Arbor

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Walter E.A. van Beek is emeritus professor of anthropology at Tilburg University and senior researcher at the African Studies Centre Leiden. Oumarou S. Ongoiba is professor of French for the Toronto District School Board. Atimè D. Saye is a translator of Dogon and French, and head of an extended family in Tireli, Mali.

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