Shared Meanings in the Film Music of Philip Glass: Music, Multimedia and Postminimalism

Author:   Tristian Evans
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367598044


Pages:   240
Publication Date:   30 June 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Shared Meanings in the Film Music of Philip Glass: Music, Multimedia and Postminimalism


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Author:   Tristian Evans
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.340kg
ISBN:  

9780367598044


ISBN 10:   0367598043
Pages:   240
Publication Date:   30 June 2020
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Foreword, Michael Riesman; Introduction; Glass, postminimalism and the media: initial questions and contexts; ’The satisfaction of a drive’: postminimal music and the advertising media; Postmodern unfoldings? Narrative, temporality and repetition in postminimal music; ’Notes on a soundtrack’: reading Glass’s recent film scores; Metamorphic meanings in Glass’s intertextual soundtracks; This is (not) a soundtrack: Dracula the movie or music drama?; Existential conflict in Naqoyqatsi, Book of Longing and Watchmen; Conclusions: reviewing concepts and approaches; Bibliography; Electronic resources; Selected discography; Selected filmography; Artworks; Index.

Reviews

"""Recommended"" - J. Behrens, Wolf Museum of Music and Art in CHOICE ""[Evans] offers a refreshing approach to [postminimalism] by revealing the numerous contradictions in the definitions that have appeared and that are part of its historiography.[…] All in all […] I hope it stimulates further work in this subject."" - Rob Haskins, ARSC Journal"


Recommended - J. Behrens, Wolf Museum of Music and Art in CHOICE [Evans] offers a refreshing approach to [postminimalism] by revealing the numerous contradictions in the definitions that have appeared and that are part of its historiography.[...] All in all [...] I hope it stimulates further work in this subject. - Rob Haskins, ARSC Journal


Author Information

Tristian Evans is lecturer in Music at Bangor University, UK. He completed BMus, MA and doctoral studies at Bangor between 2002-10, receiving support from the AHRC’s doctoral programme.

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