Overview

The three parts of Shakespeare's Global Philosophy present evidence and argument that Shakespeare's Sonnets of 1609 articulate the philosophy behind all his plays and longer poems and that the Globe Theatre symbolises the global significance of the philosophy. Part 1 examines the 1609 edition of the sonnets to demonstrate the presence of a comprehensive and consistent nature-based philosophy. Part 2 shows how Shakespeare uses the sonnet philosophy to structure and vivify all his poems and plays. Part 3 reflects on the relationship between the Globe Theatre and the current global fascination with Shakespeare's works.

Full Product Details

Author:   Roger Peters
Publisher:   Quaternary Imprint
Imprint:   Quaternary Imprint
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.483kg
ISBN:  

9780473386030

ISBN 10:   0473386038
Pages:   360
Publication Date:   06 March 2017
Audience:   General/trade ,  College/higher education ,  General ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Part 1 Mapping the 1609 Sonnets taking nature to the sonnetsPreliminary to an inquiry into Shake-speare's SonnetsChapter 1: Penetrating QChapter 2: Further structuring in the setChapter 3: Truth and beauty and the sonnet writerChapter 4: Counting sonnetsChapter 5: The Mistress explains beauty and truthChapter 6: 'Truth and beauty' mirrors 'beauty' and 'truth'Chapter 7: Looking further into the male sequenceChapter 8: The Master Mistress learns about reason and artChapter 9: The swearing and forswearing of mind-based conventionsChapter 11: The utility of the sonnet logicChapter 12: Nature's auditChapter 13: Sexual life - erotic soulsChapter 14: From the cryptic dedication to logical mappingConcluding the inquiry into Shakespeare's SonnetsPart 2 The European theatre taking the Sonnets to the playsPreliminary to an examination of the Comedies, Histories and TragediesChapter 15: Turning to the 1623 FolioChapter 16: Given nature in the playsChapter 17: How the plays regard the female/male dynamicChapter 18: Begetting increase in the plays and poemsChapter 19: The cunning penChapter 20: Thinking feelings and feeling thoughtsChapter 21: From the sexual dynamic of life to myths of dyingChapter 22: Shakespearean ironyChapter 23: Immature and mature love in the plays Concluding the examination of the Comedies, Histories & TragediesPart 3 The wooden Globe taking the plays to the worldPreliminary to a realignment at The GlobeChapter 24: A devious debut and fiery finaleChapter 25: Re-discovering nature's globeChapter 26: Global strategiesChapter 27: Beyond the Wooden OConcluding the realignment at The GlobeChapter 28: Mr. Shakespeare

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Author Information

Roger Peters is an artist, philosopher and writer who lives and works in Taranaki, New Zealand. In 1995, he detected a profound and comprehensive philosophy in Shakespeare's 1609 Sonnets. The depth and scope of the insight explains why Shakespeare's plays and poems are increasingly relevant to today's global audience. Peters presented Shakespeare's nature based philosophy in a 1760-page four-volume set in 2005. This summary volume Shakespeare's Global Philosophy of 344 pages and several others to follow provide further ways to access the understanding. Peters established the Quaternary Institute in 2001 as a pedagogic space for exploring and disseminating the insights arising from Shakespeare's unprecedented achievement.

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