Shakespeare in the Theatre: Shakespeare Theatre Company

Author:   Deborah C. Payne (American University, USA) ,  Drew Lichtenberg (Theatre artist, Shakespeare Theatre Company, USA) ,  Dr. Farah Karim Cooper (Shakespeare's Globe, London, UK) ,  Peter Holland (University of Notre Dame, USA)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350352643


Pages:   280
Publication Date:   05 September 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Shakespeare in the Theatre: Shakespeare Theatre Company


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Author:   Deborah C. Payne (American University, USA) ,  Drew Lichtenberg (Theatre artist, Shakespeare Theatre Company, USA) ,  Dr. Farah Karim Cooper (Shakespeare's Globe, London, UK) ,  Peter Holland (University of Notre Dame, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   The Arden Shakespeare
ISBN:  

9781350352643


ISBN 10:   1350352640
Pages:   280
Publication Date:   05 September 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Illustrations Acknowledgments A Note on the Text Series Preface Preface by Maureen Dowd Introduction Chapter 1. Shakespeare in Washington, D.C. Chapter 2. The Shakespeare Theatre at the Folger, 1986-1991 Chapter 3. The Shakespeare Theatre, 1992-2007 Chapter 4. Shakespeare Theatre Company, 2007-2019 Chapter 5. Interview with Michael Kahn Chapter 6. STC, 2019- Chapter 7. Interview with Simon Godwin References Index

Reviews

This is a timely and valuable study, for the story of Shakespeare in America is inseparable from that of the nation’s capital. It was in its theaters that President Lincoln went to see, time and again, the greatest Shakespeare actors of his day (and where his assassin knew where to find him). It is there that the Folger Shakespeare Library, the most important hub in the world for early modern scholars, now stands. And it is there that a tradition of staging plays animated by their proximity to power, law-making, and protest, has informed decades of productions, some groundbreaking, others forgettable, at the Folger’s theater and then the Shakespeare Theatre Company, under the leadership of Michael Kahn and his successor, Simon Godwin (both interviewed at length). It’s a fascinating history, with many twists and turns, and Drew Lichtenberg and Deborah C. Payne do a superb job of bringing it to life. * James Shapiro, Professor of English, Columbia University, USA, and author of Shakespeare in a Divided America. *


Author Information

Drew Lichtenberg has been resident dramaturg at the Shakespeare Theatre Company, USA, since 2011. He has worked as a dramaturg, literary manager and translator-adaptor with the Royal National Theatre, Public Theater, Roundabout, La Mama, Oregon Shakespeare Festival, McCarter Theatre Center, Yale Rep and Baltimore Center Stage. As an educator, he has taught courses at Catholic University of America, David Geffen School of Drama at Yale University and Eugene Lang College at the New School. His publications include The Piscatorbühne Century (2021). Deborah C. Payne is Professor of Literature at American University, USA. She was the Humanities Research Consultant at the Shakespeare Theatre Company from 2000 – 2009, and she has dramaturged for Studio Theatre, Arena Stage, the Kennedy Center, and the Bach Sinfonia. Publications include The Business of English Restoration Theatre, 1660 – 1700 (2023), Revisiting Shakespeare’s Lost Play (2016), Four Restoration Libertine Plays (2005), The Cambridge Companion to English Restoration Theatre (2000) and Cultural Readings of Restoration and Eighteenth-Century English Theatre (1995).

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