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"""Tretyakov emerges from Leach's biography as a linchpin of the interwar avant-garde: a masterful mediator, ceaselessly moving and relentlessly productive, connected to everything and everybody."" Edward Tyerman, Los Angeles Review of Books ""Leach's work is strongest when analysing Tretyakov's texts and describing the wider artistic, cultural and social contexts within which Tretyakov operated. Although occasionally chronologically disorienting, Leach's thematic digressions and anecdotes are well illustrated and researched. The text's overall effect is atmospheric, compelling and informative. Leach's useful translations of extracts from Tretyakov's works make us want to read more. Fortunately, we already have Robert Leach's translations with Stephen Holland of Tretyakov's plays (I Want a Baby and Other Plays, Glagoslav, 2019), but it remains a gross injustice that so many of Tretyakov's works remain out of print. Leach's biography is a welcome addition to the literature of neglected Soviet artists and the revolutionary potential of socialist art."" Andrew George, SCRSS Digest ""In this excellent and ever readable biography, Leach, as an admirer and translator of Tretyakov's poetry and plays, essays, and travel writing, continuously sympathizes with the idealist while being scrupulous about what is known and what isn't about the many turns of Tretyakov's development as an artist and bureaucrat"". Robert Blaisdell, Russian Life This biography ""was a fascinating read from start to finish, and it comes with 27 illustrations. useful notes and a moving coda in the form of ""Dustprints"", a poetic tribute by Leach himself. It makes a poignant end to the story of an artist who believed strongly that art should be involved in improving the world and very much put his money where his mouth was. Sergei Tretyakov was an inspirational innovator and his name should be much more widely known; Leach's excellent book shines a welcome light on an under-appreciated member of Russia's revolutionary intelligentsia and will hopefully go some way to helping with that!"" Kaggsy's Bookish Ramblings ""With the English-language edition of his plays, and now with this biography, Dr Leach has certainly ensured that Tretyakov comes into focus for contemporary readers. He is a figure whose work reflects some of the most fascinating years of Soviet culture, and today we now have excellent means available to restore him to the place he deserves alongside his peers."" Peter Lowe, RUSSIAN ART + CULTURE ""The book is the product of a career-long devotion to the work of Tretyakov and to his surviving family. Leach has constructed his biography through study of what archival evidence survives, plus many years of conversation with Tretyakov's daughter, Tatyana Tretyakova. [...] It's a work of love to be sure, but a professional and respectful one."" Thom Dinsdale, East-West Review ""In this enjoyable and vividly written book, the British academic and theater director Robert Leach introduces us not simply to Tretyakov's time, but also to his thinking, which was influenced by, and has had influence upon, such great minds as Vladimir Mayakovski, Boris Arvatov, Alexander Rodchenko, Vsevolod Meyerhold, Sergei Eisenstein, Bertolt Brecht, and Walter Benjamin."" Tatjana Hofmann, Russian Review ""Leach is an enthusiastic and empathetic biographer, much informed by his friendship with Tatyana, Olga's daughter from a previous marriage, and adopted by Tretyakov. We live at a time when things are purported to move at unprecedented speeds, but Tretyakov packed an amazing amount of work and history into a production life that was less than 20 years."" Peter Gordon, The Asian Review of Books"

Author Information

Robert Leach is an academic, a writer and a freelance theatre director. He has a Ph.D. from Cambridge University, and has been Reader in Drama and Theatre Arts at the University of Birmingham and Senior Lecturer in the School of Languages, Literatures and Cultures at Edinburgh University. His professional theatre work has included acting in the USA and directing in Moscow, where he staged the Russian premiere of I Want a Baby in 1990.He has written over a dozen books on the theatre, including Revolutionary Theatre (Routledge 1994) and Russian Futurist Theatre: Theory and Practice (Edinburgh University Press, 2018), and he co-edited with Victor Borovsky A History of Russian Theatre (Cambridge University Press, 1999). He is also a poet, and five collections of his poetry have been published. He has specialised in the work of Sergei Tretyakov, whose daughter, Tatyana Tretyakova, he worked with. A volume of Sergei Tretyakov's plays, I Want a Baby and Other Plays, in his and Stephen Holland's English translation, is also available from Glagoslav. Robert Leach is an academic, a writer and a freelance theatre director. He has a Ph.D. from Cambridge University, and has been Reader in Drama and Theatre Arts at the University of Birmingham and Senior Lecturer in the School of Languages, Literatures and Cultures at Edinburgh University. His professional theatre work has included acting in the USA and directing in Moscow, where he staged the Russian premiere of I Want a Baby in 1990.He has written over a dozen books on the theatre, including Revolutionary Theatre (Routledge 1994) and Russian Futurist Theatre: Theory and Practice (Edinburgh University Press, 2018), and he co-edited with Victor Borovsky A History of Russian Theatre (Cambridge University Press, 1999). He is also a poet, and five collections of his poetry have been published. He has specialised in the work of Sergei Tretyakov, whose daughter, Tatyana Tretyakova, he worked with. A volume of Sergei Tretyakov's plays, I Want a Baby and Other Plays, in his and Stephen Holland's English translation, is also available from Glagoslav.

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