Free Delivery Over $100
|
|
|||
|
||||
OverviewThe Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid’s Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation—and competition—with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus’ six hymns as a self-conscious set—and reading the first five books of the Metamorphoses through Callimachus’ hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid’s poetic cosmos. Full Product DetailsAuthor: Celia CampbellPublisher: University of Wisconsin Press Imprint: University of Wisconsin Press Weight: 0.454kg ISBN: 9780299348748ISBN 10: 0299348741 Pages: 344 Publication Date: 30 July 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsAcknowledgments Introduction: The Nature of Praise 1 Amorphous Control? Resolving the Question of Cosmic Authority within the World of the Metamorphoses 2 Divining Praise: Jupiter, Apollo, and Poetic Primacy 3 Rivaled Affection and Affectation: Diana, Apollo, and Delian Disguise 4 Ovid’s Lavacrum Dianae: The Huntress Muse of the Metamorphoses 5 The Hymnic Battle for Helicon: Reflections over Contested Grounds 6 Calliope’s Hymn: Musing on the Nature of Love Conclusion: Amor’s Winged Words Notes Works Cited Index Index LocorumReviews"""Campbell effortlessly and playfully handles an impressive array of critical tools to argue most convincingly that Ovid's Metamorphoses is a hymn to divine appropriation. The analysis is pressed into exhaustive detail and in her brilliant readings, Campbell displays a sustained ingenuity that is well matched to the endlessly inventive and cunningly allusive Ovid.""--Ioannis Ziogas, author of Law and Love in Ovid: Courting Justice in the Age of Augustus ""This erudite study offers an elegant demonstration of Ovid's debts to the classical hymnic tradition, especially Callimachus' collection, in the early books of his Metamorphoses. Highly recommended.""--Alison Keith, author of Virgil" Author InformationCelia M. Campbell is an assistant professor of classics at Emory University. Tab Content 6Author Website:Countries AvailableAll regions |
||||
