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OverviewModernism cannot be reduced to a rejection of established norms. Revolutions in Verse: The Medium of Russian Modernism spotlights Russian modernist poets’ and formalist theorists’ conscious engagement with formal convention, showing how their efforts were tied up with broader attempts in the early Soviet era to understand and articulate the nature of poetry and its most characteristic devices. Returning to critical debates around and poetic encounters with three key aesthetic categories—rhythm, image, and voice—Isobel Palmer examines the more profound innovation of this period: its interest in the material bases of poetic speech. Through fresh readings of canonical poets and theorists, from Andrei Bely and Vladimir Mayakovsky to Yury Tynianov and Viktor Shklovsky, Palmer shows how the proliferation of interartistic experiments and the emergence of new media technologies made poetry visible as a medium in its own right. This book offers a timely contribution to renewed discussions about modernism, the concept of literary form, and the value of literature and literary criticism. Full Product DetailsAuthor: Isobel PalmerPublisher: Northwestern University Press Imprint: Northwestern University Press Weight: 0.454kg ISBN: 9780810147676ISBN 10: 081014767 Pages: 232 Publication Date: 15 October 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsAcknowledgments Note on the Text Introduction Chapter 1. Andrei Bely’s Science of Verse Part I. Rhythm Chapter 2. Yury Tynianov and Rhythm as Remediation Chapter 3. Alexander Blok and the Rhythms of History Part II. Image Chapter 4. Viktor Shklovsky’s Stone Chapter 5. Boris Pasternak’s Poetic Configurations Part III. Voice Chapter 6. Boris Eikhenbaum, Sergei Bernshtein, and the Melodics of Verse Chapter 7. The Many Voices of Vladimir Mayakovsky Conclusion Notes Works Cited IndexReviews""What constitutes the medium of language arts? In this masterful study, Palmer reconstructs the debates surrounding the concepts of 'rhythm, ' 'image, ' and 'voice, ' which she rightfully places at the center of competing trends within Russian modernist literary experimentation and formalist poetics.""--Ana Hedberg Olenina, Arizona State University ""Revolutions in Verse reopens the conversation on the poetry of Russian modernism by productively destabilising the very conditions of its existence: voice, image, and rhythm are now emerging as interactively involved in creating a new materiality of verse that thrives on intermedial experimentation. Palmer's nuanced argument is carefully built; the analysis is attentive to detail, while never losing sight of the bigger picture.""--Galin Tihanov, Queen Mary University of London """What constitutes the medium of language arts? In this masterful study, Palmer reconstructs the debates surrounding the concepts of 'rhythm, ' 'image, ' and 'voice, ' which she rightfully places at the center of competing trends within Russian modernist literary experimentation and formalist poetics.""--Ana Hedberg Olenina, Arizona State University ""Revolutions in Verse reopens the conversation on the poetry of Russian modernism by productively destabilising the very conditions of its existence: voice, image, and rhythm are now emerging as interactively involved in creating a new materiality of verse that thrives on intermedial experimentation. Palmer's nuanced argument is carefully built; the analysis is attentive to detail, while never losing sight of the bigger picture.""--Galin Tihanov, Queen Mary University of London" Author InformationIsobel Palmer is a lecturer in the Department of Modern Languages at the University of Birmingham. Tab Content 6Author Website:Countries AvailableAll regions |
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