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OverviewIn Reframing Bodies, Roger Hallas illuminates the capacities of film and video to bear witness to the cultural, political, and psychological imperatives of the AIDS crisis. He explains how queer films and videos made in response to the AIDS epidemics in North America, Europe, Australia, and South Africa challenge longstanding assumptions about both historical trauma and the politics of gay visibility. Drawing on a wide range of works, including activist tapes, found footage films, autobiographical videos, documentary portraits, museum installations, and even film musicals, Hallas reveals how such ""queer AIDS media"" simultaneously express both immediacy and historical consciousness. Queer AIDS media are neither mere ideological critiques of the dominant media representation of homosexuality and AIDS nor corrective attempts to produce ""positive images"" of people living with HIV/AIDS. Rather, they perform complex, mediated acts of bearing witness to the individual and collective trauma of AIDS. Challenging the entrenched media politics of who gets to speak, how, and to whom, Hallas offers a bold reconsideration of the intersubjective relations that connect filmmakers, subjects, and viewers. He explains how queer testimony reframes AIDS witnesses and their speech through its striking combination of direct address and aesthetic experimentation. In addition, Hallas engages recent historical changes and media transformations that have not only displaced queer AIDS media from activism to the archive, but also created new witnessing dynamics through the logics of the database and the remix. Reframing Bodies provides new insight into the work of Gregg Bordowitz, John Greyson, Derek Jarman, Matthias Muller, and Marlon Riggs, and offers critical consideration of important but often overlooked filmmakers, including Jim Hubbard, Jack Lewis, and Stuart Marshall. Full Product DetailsAuthor: Roger HallasPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.50cm Weight: 0.494kg ISBN: 9780822346012ISBN 10: 082234601 Pages: 336 Publication Date: 02 December 2009 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIllustrations ix Acknowledgments xi Introduction 1 1. Historical Trauma and the Performance of Talking Heads 35 2. The Embodied Immediacy of Direct Action: Space and Movement in AIDS Video Activism 77 3. Related Bodies: Resisting Confession in Autobiographical AIDS Video 113 4. Queer Anachronism and the Testimonial Space of Song 151 5. Gay Cinephilia and the Cherished Body of Experimental Film 185 6. Sound, Image, and the Corporeal Implication of Witnessing 217 Afterword 241 Notes 253 Bibliography 291 Index 307ReviewsRoger Hallas is perhaps today's leading expert on AIDS and the 'queer moving image,' and with Reframing Bodies he takes AIDS cultural studies in a variety of new, compelling directions. He makes important contributions about the practices and politics of homosexuality's cultural visibility, the representational strategies mobilized around AIDS as a historical trauma experienced by gay men, and the ways that queer moving images allow us to rethink spectatorship, bearing witness, and trauma. --Alexandra Juhasz, author of AIDS TV: Identity, Community, and Alternative Video Roger Hallas ensures that HIV/AIDS activist media receives its critical due by showing not only its historical importance but also its formal complexity. Through his passionate engagement, keen sensitivity to shifting contexts of reception, and sophisticated account of the testimonial function of the moving image, he keeps this body of activist media, and its political and memorial legacies, alive for the future. --Ann Cvetkovich, author of An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures Author InformationRoger Hallas is an assistant professor of English at Syracuse University. He is the coeditor of The Image and the Witness: Trauma, Memory and Visual Culture. Tab Content 6Author Website:Countries AvailableAll regions |