Reflective Affective Dramaturgies of Participatory Theatre: Larping Audiences into Performance

Author:   Sarah Hoover
Publisher:   Springer International Publishing AG
Edition:   2024 ed.
ISBN:  

9783031644580


Pages:   193
Publication Date:   02 September 2024
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Reflective Affective Dramaturgies of Participatory Theatre: Larping Audiences into Performance


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Author:   Sarah Hoover
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
Edition:   2024 ed.
ISBN:  

9783031644580


ISBN 10:   3031644581
Pages:   193
Publication Date:   02 September 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction: Histories and lineages of affect in performance and larp.- Chapter 1. The Potential Machine: the reflective affective model.- Chapter 2. “It feels real”: excess and intensity in The Prison.- Chapter 3. “A bigger version of me”: self-presence in New Voices in Art.- Chapter 4. “Am I that kind of person?”: the RA model applied from concept to post-production in Two Truths.- Chapter 5. Conclusion: considering our systems of performance.

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Author Information

Sarah Hoover is a Postdoctoral Researcher with the University of Galway, Ireland, on the EU Horizon 2020 funded project Computational Literary Studies Infrastructure (CLS INFRA). Her research centres on the creation and digitisation of interactive and other audience-centred performance dramaturgies, considered through new materialist theory. As a lecturer, Hoover convenes and delivers postgraduate modules from Applied Dramaturgy to Critical Methods, and undergraduate modules including Artistic Research, Performance Studies and Advanced Devising. In addition to research projects and extensive teaching, Hoover dramaturgs new theatre and performance in the UK, US and Ireland.

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