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OverviewThis book argues that Bruno Mars is uniquely positioned to borrow from his heritage and experiential knowledge as well as his musical talent, performative expertise, and hybrid identities (culturally, ethnically, and racially) to remix music that can create ""new music nostalgia."" Melinda Mills attends to the ways that Mars is precariously positioned in relation to all of the racial and ethnic groups that constitute his known background and argues that this complexity serves him well in the contemporary moment. Engaging in the performative politics of blackness allows Mars to advocate for social justice by employing his artistic agency. Through his entertainment and the everyday practice of joy, Mars models a way of moving through the world that counters its harsh realities. Through his music and perfomance, Mars provides a way for a reconceptualization of race and a reimagining of the future. Full Product DetailsAuthor: Melinda A. MillsPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 16.40cm , Height: 1.80cm , Length: 23.00cm Weight: 0.408kg ISBN: 9781793619822ISBN 10: 1793619824 Pages: 154 Publication Date: 13 November 2020 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Introducing Bruno Mars Chapter 1: New Music Nostalgia, Or, Is What’s Old New Again? Chapter 2: Blurred Boundaries, or Reading Between the Lines Chapter 3: The Performative Politics of Blackness Chapter 4: The Sonic Politics of Pleasure, Or Love and Joy in a Time of Trauma and Tragedy Chapter 5: (Re)fashioning Race and MusicReviewsAuthor InformationMelinda A. Mills is associate professor of women’s and gender studies, sociology, and anthropology at Castleton University in Vermont. Tab Content 6Author Website:Countries AvailableAll regions |
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