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OverviewFull Product DetailsAuthor: Stan HawkinsPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9780367597382ISBN 10: 0367597381 Pages: 256 Publication Date: 30 June 2020 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Setting the Stage: aesthetics, gender norms and temporality 2. Love – a very queer construct 3. ‘In and Out’: Games of Truth and the Confessional 4. Applause, Applause: Art into Pop 5. ‘Talking blah blah’: Camp into Queer 6. To be a boy? Masculinity and queer aesthetics 7. Futurity and Passion’s CompulsionReviews'Queerness in Pop Music is a valuable and timely addition to the field of popular music studies with the author genuinely revelling in the process of exploring the texture of musical texts which toy with (hetero)normative assumptions on gender and sexuality. His ability to get to the heart of what's going on, be it historically, culturally and/or musically in a visual/sonic text is admirable.' Transposition. Musique et sciences sociales Author InformationStan Hawkins is Professor of Musicology at the University of Oslo and Adjunct Professor at the University of Agder. His research fields involve music analysis, popular musicology, gender studies and audiovisual theory. From 2010-2014 he led a Norwegian state-funded project, Popular Music and Gender in a Transcultural Context. He is also author of Settling the Pop Score (2002), The British Pop Dandy (2009), and co-author of Prince: The Making of a Pop Music Phenomenon (2011). His edited volumes include Music, Space & Place (2004), Essays on Sound & Vision (2007), Pop Music & Easy Listening (2011), and Critical Musicological Reflections (2012). Tab Content 6Author Website:Countries AvailableAll regions |
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