Overview

In big cities, major museums and elite galleries tend to dominate our idea of the art world. But beyond the cultural core ruled by these moneyed institutions and their patrons are vibrant, local communities of artists and art lovers operating beneath the high-culture radar. Producing Local Color is a guided tour of three such alternative worlds that thrive in the Chicago neighborhoods of Bronzeville, Pilsen, and Rogers Park. These three neighborhoods are, respectively, historically African American, predominantly Mexican American, and proudly ethnically mixed. Drawing on her ethnographic research in each place, Diane Grams presents and analyzes the different kinds of networks of interest and support that sustain the making of art outside of the limelight. And she introduces us to the various individuals—from cutting-edge artists to collectors to municipal planners—who work together to develop their communities, honor their history, and enrich the experiences of their neighbors through art. Along with its novel insights into these little examined art worlds, Producing Local Color also provides a thought-provoking account of how urban neighborhoods change and grow.

Full Product Details

Author:   Diane Grams
Publisher:   The University of Chicago Press
Imprint:   University of Chicago Press
Dimensions:   Width: 1.70cm , Height: 0.20cm , Length: 2.30cm
Weight:   0.595kg
ISBN:  

9780226305172

ISBN 10:   0226305171
Pages:   328
Publication Date:   15 November 2010
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock  
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Table of Contents

Reviews

&#8220; Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams&#8217; approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields.&#8221;&#8212;Diana Crane, University of Pennsylvania <br>--Diana Crane

This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development--in all the possible meanings of those weighty but ambiguous terms--as well as to our understanding of art worlds, art organizations, and the art they produce. Grams's analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what's going on. --Howard S. Becker, author of Art Worlds Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams' approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. --Diana Crane, University of Pennsylvania [Grams'] method is observational and her writing tends to be scientific rather than flashy or theoretical. This is a refreshing perspective, like an economist explaining the art market or a chemist detailing an artist's media. As the local politics and ethnic identities of each case study is so specific, Grams' micro-lens produces a realistic picture of the city at each turn. Although the material is straightforward, the author's findings are edifying. Producing Local Color is required reading for anyone seeking to understand why Chicago's many art scenes feel disconnected or scattered. --Diana Crane, University of Pennsylvania Newcity

Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. --Diana Crane, University of Pennsylvania This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development in all the possible meanings of those weighty but ambiguous terms as well as to our understanding of art worlds, art organizations, and the art they produce. Grams s analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what s going on. --Howard S. Becker, author of Art Worlds This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development--in all the possible meanings of those weighty but ambiguous terms--as well as to our understanding of art worlds, art organizations, and the art they produce. Grams's analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what's going on. --Howard S. Becker, author of Art Worlds Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams' approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. --Diana Crane, University of Pennsylvania Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams' approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. -Diana Crane, University of Pennsylvania --Diana Crane This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development-in all the possible meanings of those weighty but ambiguous terms-as well as to our understanding of art worlds, art organizations, and the art they produce. Grams' analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what's going on. -Howard S. Becker, author of Art Worlds --Howard S. Becker

Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. --Diana Crane, University of Pennsylvania This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development in all the possible meanings of those weighty but ambiguous terms as well as to our understanding of art worlds, art organizations, and the art they produce. Grams s analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what s going on. --Howard S. Becker, author of Art Worlds This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development--in all the possible meanings of those weighty but ambiguous terms--as well as to our understanding of art worlds, art organizations, and the art they produce. Grams's analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what's going on. --Howard S. Becker, author of Art Worlds Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams' approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. --Diana Crane, University of Pennsylvania Producing Local Color is a valuable contribution to our understanding of a subject that sociologists of art have largely neglected, ethnic art, and holds important implications for theories in that field. Diane Grams develops a theory of local art production through social networks that draw on available resources in urban communities and contribute not only to the production of art but also urban redevelopment. Grams' approach to art as the result of network-based resource mobilization is at odds with the traditional art historical perspective that focuses on art as produced by geniuses as well as the usual sociological approach that views it as produced and consumed by elites. Clearly written, well organized, and accessible, Producing Local Color will be very useful for students and researchers in a wide variety of fields. -Diana Crane, University of Pennsylvania --Diana Crane This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development-in all the possible meanings of those weighty but ambiguous terms-as well as to our understanding of art worlds, art organizations, and the art they produce. Grams' analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what's going on. -Howard S. Becker, author of Art Worlds --Howard S. Becker

This is a very good book with a lot to say to sociologists, local history aficionados in Chicago, anyone concerned with the business and politics of art, and people who want to understand the processes of urban growth as they occur at the most immediate level. Diane Grams succeeds in delivering a mountain of interesting information put together in an analytically innovative way. Producing Local Color will add to the literature on the contribution of arts to community development--in all the possible meanings of those weighty but ambiguous terms--as well as to our understanding of art worlds, art organizations, and the art they produce. Grams's analytic innovations are intelligent, thoroughly grounded in the data, and very useful in understanding what's going on. <br><br>--Howard S. Becker, author of Art Worlds

Author Information

Diane Grams is assistant professor of sociology at Tulane University and coeditor of Entering Cultural Communities: Diversity and Change in the Nonprofit Arts.

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