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Studying important cultural works that trace shifting socioeconomic, cultural, and political patterns in Brazil in recent decades, da Costa Bezerra reveals the presence and importance of new sociocultural actors from Brazil's economically disenfranchised communities. A rare study that tackles the convergence between culture and human rights in present-day Brazil.----Leila Lehnen, University of New Mexico Postcards from Rio is an important contribution to the interdisciplinary field of scholarship on urban life in Rio. Da Costa Bezerra argues that favela-based cultural producers are engaging in forms of production that challenge the dominant narrative about favelas as violent, 'backward' places. By taking photographs and making films, murals, and fiction, they are both working against the hegemonic narratives of these communities and changing the internal imaginaries of what favelas are about for those who live in them. ----Erika Robb Larkins, University of Oklahoma

Postcards from Rio is an important contribution to the interdisciplinary field of scholarship on urban life in Rio. Da Costa Bezerra argues that favela-based cultural producers are engaging in forms of production that challenge the dominant narrative about favelas as violent, 'backward' places. By taking photographs and making films, murals, and fiction, they are both working against the hegemonic narratives of these communities and changing the internal imaginaries of what favelas are about for those who live in them. -Erika Robb Larkins, University of Oklahoma

Postcards from Rio is an important contribution to the interdisciplinary field of scholarship on urban life in Rio. Da Costa Bezerra argues that favela-based cultural producers are engaging in forms of production that challenge the dominant narrative about favelas as violent, `backward' places. By taking photographs and making films, murals, and fiction, they are both working against the hegemonic narratives of these communities and changing the internal imaginaries of what favelas are about for those who live in them. -- -Erika Robb Larkins * University of Oklahoma * Studying important cultural works that trace shifting socioeconomic, cultural, and political patterns in Brazil in recent decades, da Costa Bezerra reveals the presence and importance of new sociocultural actors from Brazil's economically disenfranchised communities. A rare study that tackles the convergence between culture and human rights in present-day Brazil. -- -Leila Lehnen * University of New Mexico *

Studying important cultural works that trace shifting socioeconomic, cultural, and political patterns in Brazil in recent decades, da Costa Bezerra reveals the presence and importance of new sociocultural actors from Brazil's economically disenfranchised communities. A rare study that tackles the convergence between culture and human rights in present-day Brazil. -- -Leila Lehnen University of New Mexico Postcards from Rio is an important contribution to the interdisciplinary field of scholarship on urban life in Rio. Da Costa Bezerra argues that favela-based cultural producers are engaging in forms of production that challenge the dominant narrative about favelas as violent, 'backward' places. By taking photographs and making films, murals, and fiction, they are both working against the hegemonic narratives of these communities and changing the internal imaginaries of what favelas are about for those who live in them. -- -Erika Robb Larkins University of Oklahoma

<em>Postcards from Rio</em> is an important contribution to the interdisciplinary field of scholarship on urban life in Rio. Da Costa Bezerra argues that favela-based cultural producers are engaging in forms of production that challenge the dominant narrative about favelas as violent, 'backward' places. By taking photographs and making films, murals, and fiction, they are both working against the hegemonic narratives of these communities and changing the internal imaginaries of what favelas are about for those who live in them. --Erika Robb Larkins, University of Oklahoma Studying important cultural works that trace shifting socioeconomic, cultural, and political patterns in Brazil in recent decades, da Costa Bezerra reveals the presence and importance of new sociocultural actors from Brazil's economically disenfranchised communities. A rare study that tackles the convergence between culture and human rights in present-day Brazil. --Leila Lehnen, University of New Mexico

""Studying important cultural works that trace shifting socioeconomic, cultural, and political patterns in Brazil in recent decades, da Costa Bezerra reveals the presence and importance of new sociocultural actors from Brazil's economically disenfranchised communities. A rare study that tackles the convergence between culture and human rights in present-day Brazil."" -- -Leila Lehnen University of New Mexico ""Postcards from Rio is an important contribution to the interdisciplinary field of scholarship on urban life in Rio. Da Costa Bezerra argues that favela-based cultural producers are engaging in forms of production that challenge the dominant narrative about favelas as violent, 'backward' places. By taking photographs and making films, murals, and fiction, they are both working against the hegemonic narratives of these communities and changing the internal imaginaries of what favelas are about for those who live in them."" -- -Erika Robb Larkins University of Oklahoma

Author Information

Kátia da Costa Bezerra, Ph.D., is Professor and associate head of the Department of Spanish and Portuguese at the University of Arizona. She has published in major journals and is a member of the Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World and The Rocky Mountain Review editorial boards.

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