Overview

Post-Specimen Encounters in Art, Science and Curating examines the ways in which scientific objects held within museums and other collections act as inspiration to contemporary art practices, curating strategies, and their histories. With cross-disciplinary contributions from art historians, artists, poets, anthropologists, critics, and curators, this volume looks at how artistic encounters in museums, ranging from anatomy museums to contemporary cabinets of curiosity, can provoke new modes of thinking. In particular, this volume draws upon the concept of the specimen—a paradigmatic object in science—as a way of critically investigating these hybrid art–science practices and a means of innovating the practice of art writing itself. Edward Juler and Alistair Robinson bring together a variety of interdisciplinary perspectives from leading specialists in the visual arts that inspire new understandings of the relationships between art, science, and curating.

Full Product Details

Author:   Edward Juler ,  Alistair Robinson
Publisher:   Intellect Books
Imprint:   Intellect Books
Dimensions:   Width: 17.00cm , Height: 1.90cm , Length: 24.40cm
Weight:   0.567kg
ISBN:  

9781789383119

ISBN 10:   1789383110
Pages:   250
Publication Date:   12 January 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock  
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Table of Contents

Introduction Edward Juler and Alistair Robinson 1: Narratives of the ‘Fetish’ John Mack 2: Curating Interobjectively in Museums Alistair Robinson 3: ‘A Readiness to Find What Surrounds Us Strange and Odd’: Objects in the Relational Curiosity Museum Marion Endt-Jones 4: Art, Science and the Mutant Object Rahma Khazam 5: Models of Subjectivity: Surrealism, Physics and Psychoanalysis Gavin Parkinson 6: Glimpsed Phantoms of Sensation: Or, a Psychogeographical Investigation of Various Anatomical Specimens with Reference to Christine Borland’s Cet être-là, c’est à toi de le créer! Edward Juler 7 … as far back as I will remember Nadia Lichtig 8: Poetry and the Pathology Museum: A Model of Difference Christy Ducker 9: The Scientist and the Magician Irene Brown 10: Choosing, Unpicking and Connecting: On Drawing Museum Objects Richard Talbot 11: Post-Specimens and Present Ancestors: Passing Fables and Comparative Readings at the Wildgoose Memorial Library Jane Wildgoose 12: Moving beyond the Specimen (From Drawing Objects to Drawing Processes) Gemma Anderson 13: Desiccation, Suspension, Extraction: The Inhuman Art of Christine Borland Andrew Patrizio Afterword: What’s at Stake? Ludmilla Jordanova

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Author Information

Edward Juler is lecturer in art history at Newcastle University, UK.  Alistair Robinson is director of the Northern Gallery for Contemporary Art (NGCA) in Sunderland, UK. 

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