Overview

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When the Sony Walkman debuted in 1979, people were enthralled by the novel experience it offered: immersion in the music of their choice, anytime, anywhere. But the Walkman was also denounced as self-indulgent and antisocial—the quintessential accessory for the “me” generation. In Personal Stereo, Rebecca Tuhus-Dubrow takes us back to the birth of the device, exploring legal battles over credit for its invention, its ambivalent reception in 1980s America, and its lasting effects on social norms and public space. Ranging from postwar Japan to the present, Tuhus-Dubrow tells an illuminating story about our emotional responses to technological change. Object Lessons is published in partnership with an essay series in The Atlantic.

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9781501322815

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Personal Stereo is loving, wise, and exuberant, a moving meditation on nostalgia and obsolescence. Rebecca Tuhus-Dubrow writes as beautifully about Georg Simmel and Allan Bloom as she does about Jane Fonda and Metallica. Now I understand why I still own the taxicab-yellow Walkman my grandmother gave me in 1988. * Nathaniel Rich, author of Odds Against Tomorrow * Rebecca Tuhus-Dubrow's affectionate history traces the Walkman out of an electronics workshop in bombed-out postwar Tokyo to global icon of solitary, un-networked bliss. * Sasha Issenberg, author of The Sushi Economy * Personal Stereo explores the development of the Walkman, its impact on our culture, and its legacy, not only highlighting its time as a status symbol but discussing its surprising resurgence today as part of the analog revolution. Plus Tuhus-Dubrow shares her own personal memories of Walkman ownership, offering a nice intimate touch to a book full of fun pop-culture trivia and anecdotes. Perhaps the best part of Personal Stereo was seeing parallels between reactions to the Walkman and recent complaints about smartphone ownership. (Particularly regarding selfishness and isolation.) Observing these cyclical historical undercurrents, large and small, is both entertaining and engaging. You might have preferred your iPod, but there's no doubt the Walkman was worthy of a tribute and brief history like this. * San Francisco Book Review *

Personal Stereo is loving, wise, and exuberant, a moving meditation on nostalgia and obsolescence. Rebecca Tuhus-Dubrow writes as beautifully about Georg Simmel and Allan Bloom as she does about Jane Fonda and Metallica. Now I understand why I still own the taxicab-yellow Walkman my grandmother gave me in 1988. Nathaniel Rich, author of Odds Against Tomorrow Rebecca Tuhus-Dubrow's affectionate history traces the Walkman out of an electronics workshop in bombed-out postwar Tokyo to global icon of solitary, un-networked bliss. Sasha Issenberg, journalist and author of The Sushi Economy

Personal Stereo is loving, wise, and exuberant, a moving meditation on nostalgia and obsolescence. Rebecca Tuhus-Dubrow writes as beautifully about Georg Simmel and Allan Bloom as she does about Jane Fonda and Metallica. Now I understand why I still own the taxicab-yellow Walkman my grandmother gave me in 1988. Nathaniel Rich, author of Odds Against Tomorrow Rebecca Tuhus-Dubrow's affectionate history traces the Walkman out of an electronics workshop in bombed-out postwar Tokyo to global icon of solitary, un-networked bliss. Sasha Issenberg, author of The Sushi Economy

Personal Stereo is loving, wise, and exuberant, a moving meditation on nostalgia and obsolescence. Rebecca Tuhus-Dubrow writes as beautifully about Georg Simmel and Allan Bloom as she does about Jane Fonda and Metallica. Now I understand why I still own the taxicab-yellow Walkman my grandmother gave me in 1988. * Nathaniel Rich, author of Odds Against Tomorrow * Rebecca Tuhus-Dubrow's affectionate history traces the Walkman out of an electronics workshop in bombed-out postwar Tokyo to global icon of solitary, un-networked bliss. * Sasha Issenberg, author of The Sushi Economy *

Author Information

Rebecca Tuhus-Dubrow is a Contributing Editor at Dissent. Her writing has appeared in Slate, The Nation, the New York Times Book Review, Boston Review, and the Los Angeles Times. She was previously a contributing writer for the Boston Globe’s Ideas section, a columnist for the urban affairs website Next City, and a Journalism and Media Fellow at the UCLA Institute of the Environment and Sustainability.

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