Overview

Performing Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline. Including cross-chapter discussions which address the intersections between fields, Performing Interdisciplinarity truly examines the making of meaning across disciplinary conventions. This is a volume for performance practitioners and scholars who are living, learning, writing, teaching, making and thinking at the edges of their specialisms.

Full Product Details

Author:   Experience Bryon
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.420kg
ISBN:  

9781138678859

ISBN 10:   1138678856
Pages:   252
Publication Date:   11 December 2017
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of Contributors Acknowledgements Foreword - Claire Colebrook Introduction Experience Bryon Part I active aesthetic: Knowledge Performing Experience Bryon Part II virtual: Performance and Digital Joanne Scott Cross-Chapter Discussion: virtual & mediation mediation: Performance and Installation Art Luis Campos Cross-Chapter Discussion: mediation & utopia utopia: Performance and Social Geography: shattering the real with utopian dreams Selina Busby Cross-Chapter Discussion: utopia & role role: Performance and Pedagogy Jessica Hartley Cross-Chapter Discussion: role & embodiment embodiment: Performance and Cognitive Science Deirdre Mclaughlin Cross-Chapter Discussion: embodiment & story story: Performance and Psychology Antonia Batzoglou Cross-Chapter Discussion: story & virtual visibility: Performance and Activism Nando Messias Cross-Chapter Discussion: visibility & ‘the subject’ ‘the subject’: Performance and Political Philosophy Rachel Cockburn Cross-Chapter Discussion: ‘the subject’ & voice voice: Performance and Forensics Konstantinos Thomaidis Cross-Chapter Discussion: voice & visibility Index

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Author Information

Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).

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