Overview

"This publication on the work of John Ronan Architects explores the firm's spatial-material approach to architecture and the underlying themes of its typologically diverse output. Out of the Ordinary introduces a different approach to architecture which is based on spatial narrative rather than form and influenced by literature rather than appropriations from the world of art world. It advocates for architecture which privileges space over form, experience over image, and narrative over authorship. In previous decades, architectural production was constrained by the limits of technology; architects pushed on the boundaries imposed by technology and it gave them common purpose. Those limits are gone. Over the preceding two decades it has been demonstrated that with enough technology (and money) anything is possible. What does an architect do when anything is possible? This is the question which confronts architects today, who now operate within a professional landscape where all is possible, but little has meaning. The ""anything goes"" mentality which currently prevails has resulted in innumerable self-referential ""object"" buildings which engage only with their architect's ego, often resulting in an urban fabric of autonomous formal objects comprised of arbitrarily-applied design tropes which celebrate formal invention for its own sake. But what do architects leave society once the novelty of form has worn off? In this architectural age of arbitrary shape-making, devoid of context or meaning, Out of the Ordinary proposes an architecture of innovation rising from ordinary concerns, about relationships not form, which exposes new spatial relationships with diagrammatic clarity in a process of distillation what seeks to lay bare meaningful relationships between essential building elements."

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9781638409786

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Reviews

If we take the number of pages given a project's documentation as an equivalence to its importance and quality -- and, really, is that so wrong? -- the top three projects by the eponymous Chicago firm of John Ronan are: the Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship (32 pages), the Poetry Foundation (30 pages); and Independence Library and Apartments (28 pages). None of the sixteen other projects -- completed buildings among them, but also speculative projects, competition entries, unbuilt projects, and buildings under construction -- come close in terms of pages, but cumulatively they paint a comprehensive and cohesive picture of a firm with many more projects to its name. --A Daily Dose of Architecture

Previously, architectural production was constrained by the limits of technology. But what does an architect do when anything is possible? chicago-based John Ronan is not after novelty of form, and instead says his work is about relationships. I believe that too much contemporary architecture is about getting noticed, making visual one-liners that can be consumed in a single glance. My aim is to design buildings with richness and subtlety, that reward repeated experiencing and close attention. --Architectural Record With the publication of Out of the Ordinary: The Work of John Ronan Architects , the work of John Ronan Architects explores the firm's spatial-material approach to architecture and the underlying themes of its typologically diverse output. Informative enhanced for the reader with the inclusion of a four page Chronology, two pages of Biography, two pages of Project Credits, and a one page listing of Book Credits, Out of the Ordinary: The Work of John Ronan Architects is an especially and unreservedly recommended addition to personal, professional, academic library Contemporary Architecture collections and supplemental curriculum reading lists. --Midwest Book Review If we take the number of pages given a project's documentation as an equivalence to its importance and quality -- and, really, is that so wrong? -- the top three projects by the eponymous Chicago firm of John Ronan are: the Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship (32 pages), the Poetry Foundation (30 pages); and Independence Library and Apartments (28 pages). None of the sixteen other projects -- completed buildings among them, but also speculative projects, competition entries, unbuilt projects, and buildings under construction -- come close in terms of pages, but cumulatively they paint a comprehensive and cohesive picture of a firm with many more projects to its name. --A Daily Dose of Architecture

With the publication of Out of the Ordinary: The Work of John Ronan Architects , the work of John Ronan Architects explores the firm's spatial-material approach to architecture and the underlying themes of its typologically diverse output. Informative enhanced for the reader with the inclusion of a four page Chronology, two pages of Biography, two pages of Project Credits, and a one page listing of Book Credits, Out of the Ordinary: The Work of John Ronan Architects is an especially and unreservedly recommended addition to personal, professional, academic library Contemporary Architecture collections and supplemental curriculum reading lists. --Midwest Book Review If we take the number of pages given a project's documentation as an equivalence to its importance and quality -- and, really, is that so wrong? -- the top three projects by the eponymous Chicago firm of John Ronan are: the Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship (32 pages), the Poetry Foundation (30 pages); and Independence Library and Apartments (28 pages). None of the sixteen other projects -- completed buildings among them, but also speculative projects, competition entries, unbuilt projects, and buildings under construction -- come close in terms of pages, but cumulatively they paint a comprehensive and cohesive picture of a firm with many more projects to its name. --A Daily Dose of Architecture

Author Information

John Ronan FAIA is founding principal of John Ronan Architects in Chicago, founded in 1999. He serves as Lead Designer on all projects the office undertakes and is known for his abstract yet sensuous work which explores materiality and atmosphere. John holds a Master of Architecture degree with distinction from the Harvard University Graduate School of Design and a Bachelor of Science degree from the University of Michigan. In 1999, he was a winner in the Townhouse Revisited Competition staged by the Graham Foundation and his firm was the winner of the prestigious Perth Amboy High School Design Competition in 2004, a two-stage international design competition to design a 472,000 square foot high school in New Jersey. In December 2000, he was named as a member of the Design Vanguard by Architectural Record magazine, and in January 2005 he was selected to The Architectural League of New York's Emerging Voices program. John has lectured widely and his work has been exhibited internationally, including the Art Institute of Chicago and The Architectural League of New York's Urban Center. His work has been covered extensively by the international design press, and a monograph on his work, entitled Explorations, was published by Princeton Architectural Press in 2010. A publication Poetry Foundation on his eponymous building by the Center for American Architecture & Design at the University of Texas was published in 2015. His firm has been the recipient of three AIA Institute National Honor Awards--for the IIT Innovation Center, the Poetry Foundation and The Gary Comer Youth Center, all in Chicago, and in 2016 was one of seven international finalist firms for the Obama Presidential Center. In 2017, John was named an Architecture Award winner by the American Academy of Arts and Letters. John is currently the John and Jeanne Rowe Endowed Chair Professor of Architecture at the Illinois Institute of Technology College of Architecture. Sean Keller is a historian and critic of modern and contemporary architecture. He is the author of Automatic Architecture: Motivating Form After Modernism (University of Chicago Press, 2018) and has written for numerous anthologies and journals. His work has been recognized by a Warhol Grant and a Winterhouse Award for Design Writing and Criticism. His next book on the architecture, art, and landscape of the 1972 Olympics in Munich is forthcoming from Yale University Press. Sean Keller is Associate Professor and Associate Dean at the IIT College of Architecture. He has taught at Harvard University, Yale University, and at the University of Chicago, where he has been a fellow of both the Neubauer Collegium and the Franke Institute for the Humanities. He is a trustee of the Graham Foundation. He holds a Ph.D. from Harvard University and M.Arch. and B.A. degrees from Princeton University. Carlos Jiminez was born in Costa Rica in 1959 and moved to the United States in 1974. He established his own office in Houston in 1983 after graduating from the University of Houston School of Architecture in 1981 receiving awards for best thesis project and best portfolio. He is currently a tenured Professor at the Rice University School of Architecture and has served as visiting professor at numerous institutions, including the Harvard Graduate School of Design, the University of Texas, and UCLA. He has lectured widely and served as a Jury member of the Pritzker Architecture Prize from 2001 to 2011. His principal built works include the Houston Fine Art Press, the Lynn Goode Gallery, the Central Administration/Junior School Building for the Museum of Fine Arts Houston, the Spencer Studio Art Building at Williams College Massachusetts, the Cummins Engine Child Development Center in Columbus Indiana, the Peeler Art Center at DePauw University, Indiana, the Irwin Mortgage Corporate Headquarters, Indiana, the Library Service Center and Data Center at Rice University, Crowley House in Marfa, the Tyler School of Art in Philadelphia, the Evry Urban Housing Tower, Evry France, and the Benopia Civic Center in Gandia, Spain. His work has been widely in North and South America and in Europe, and been published in authored books, monographic issues, specialized books and catalogues, and covered widely in the national and international deisgn press.

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