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With lyrical language and powerful episodic storytelling Cheryl Savageau brings luminous clarity to her experience of navigating the Crazywoods. She draws us into an inner world, both mythic and mystifying, of being bipolar, which at times reflects the dynamic intricacy of New England's recovering forestland but also illuminates the ongoing activity and struggle of alnobawogan, being and becoming human. -Lisa Brooks, author of The Common Pot: The Recovery of Native Space in the Northeast Cheryl Savageau's memoir Out of the Crazywoods maps the experience of 'bipolar' again and again-defining and redefining, remembering and remaking, etching and resketching the shape, substance, sensation, and sentiment of her experience of 'being' bipolar and coming to that diagnosis and recognition. . . . Savageau's luminous prose ripples, soars, and shines with grounded honesty, some biting humor, and richly textured sensory detail (some quite synesthetic). This is a compelling work of complex embodiment, complicated relations (with self and other), and careful narrative. It demonstrates how one writes identity and, too, how identity can be (well) written. -Brenda Jo Brueggemann, editor of Disability Studies Quarterly Abenaki poet and memoirist Cheryl Savageau's stunning collection of braided vignettes leads us through the chaos many of us know, toward tenuous, hard-won places of compassion, joy, and possibility. Savageau writes, 'I live on that edge between what is true, what is sacred and magical, and where madness begins.' Yes, this memoir is disturbing, disruptive-and, reading it, we are stronger, heartened for this journey between spaces of identity, the cusps and edges of brilliance, becoming human. -Deborah A. Miranda, author of Bad Indians: A Tribal Memoir

Abenaki poet and memoirist Cheryl Savageau's stunning collection of braided vignettes, leads us through the chaos many of us know, toward tenuous, hard-won places of compassion, joy and possibility. Savageau writes, 'I live on that edge between what is true, what is sacred and magical, and where madness begins.' Yes, this memoir is disturbing, disruptive-and reading it, we are stronger, heartened for this journey between spaces of identity, the cusps and edges of brilliance, becoming human. -Deborah A. Miranda, author of Bad Indians: A Tribal Memoir -- Deborah A. Miranda Cheryl Savageau's memoir Out of the Crazywoods maps the experience of 'bipolar' again and again-defining and redefining, remembering and remaking, etching and resketching the shape, substance, sensation, and sentiment of her experience of 'being' bipolar and coming to that diagnosis and recognition. . . . Savageau's luminous prose ripples, soars, and shines with grounded honesty, some biting humor, and richly textured sensory detail (some quite synesthetic). This is a compelling work of complex embodiment, complicated relations (with self and other), and careful narrative. It demonstrates how one writes identity and, too, how identity can be (well) written. -Brenda Jo Brueggemann, editor of Disability Studies Quarterly -- Brenda Jo Brueggemann With lyrical language and powerful episodic storytelling Cheryl Savageau brings luminous clarity to her experience of navigating the Crazywoods. She draws us into an inner world, both mythic and mystifying, of being bipolar, which at times reflects the dynamic intricacy of New England's recovering forestland but also illuminates the ongoing activity and struggle of alnobawogan, being and becoming human. -Lisa Brooks, author of The Common Pot: The Recovery of Native Space in the Northeast -- Lisa Brooks

Abenaki poet and memoirist Cheryl Savageau's stunning collection of braided vignettes, leads us through the chaos many of us know, toward tenuous, hard-won places of compassion, joy and possibility. Savageau writes, 'I live on that edge between what is true, what is sacred and magical, and where madness begins.' Yes, this memoir is disturbing, disruptive-and reading it, we are stronger, heartened for this journey between spaces of identity, the cusps and edges of brilliance, becoming human. -Deborah A. Miranda, author of Bad Indians: A Tribal Memoir -- Deborah A. Miranda Cheryl Savageau's memoir Out of the Crazywoods maps the experience of 'bipolar' again and again-defining and redefining, remembering and remaking, etching and resketching the shape, substance, sensation, and sentiment of her experience of 'being' bipolar and coming to that diagnosis and recognition. . . . Savageau's luminous prose ripples, soars, and shines with grounded honesty, some biting humor, and richly textured sensory detail (some quite synesthetic). This is a compelling work of complex embodiment, complicated relations (with self and other), and careful narrative. It demonstrates how one writes identity and, too, how identity can be (well) written. -Brenda Jo Brueggemann, editor of Disability Studies Quarterly -- Brenda Jo Brueggemann With lyrical language and powerful episodic storytelling Cheryl Savageau brings luminous clarity to her experience of navigating the Crazywoods. She draws us into an inner world, both mythic and mystifying, of being bipolar, which at times reflects the dynamic intricacy of New England's recovering forestland but also illuminates the ongoing activity and struggle of alnobawogan, being and becoming human. -Lisa Brooks, author of The Common Pot: The Recovery of Native Space in the Northeast -- Lisa Brooks

Author Information

Cheryl Savageau teaches at Bread Loaf School of English at Middlebury College. She is the author of the poetry collections Home Country, Dirt Road Home, and Mother/Land. She has received fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation.

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