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OverviewA wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship. Full Product DetailsAuthor: Katie Trumpener , Tim BarringerPublisher: Yale University Press Imprint: Yale University Press Dimensions: Width: 21.60cm , Height: 0.20cm , Length: 27.90cm Weight: 0.680kg ISBN: 9780300184792ISBN 10: 0300184794 Pages: 324 Publication Date: 10 November 2020 Audience: General/trade , Professional and scholarly , General , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsAn extremely rich account of the panorama format and its endurance across several centuries. The contributors bring expertise from art history, film history, media theory, and architectural theory, and convincingly make the case that the panorama belongs equally to all these fields. - Antonia Lant, New York University An intelligent and expansive study of an art form that is now rare and no longer practiced in its pure form. -Alexander Adams, The Jackdaw An extremely rich account of the panorama format and its endurance across several centuries. The contributors bring expertise from art history, film history, media theory, and architectural theory, and convincingly make the case that the panorama belongs equally to all these fields. - Antonia Lant, New York University Author InformationKatie Trumpener is Emily Sanford Professor of Comparative Literature and English and Tim Barringer is Paul Mellon Professor in the History of Art, both at Yale University. Tab Content 6Author Website:Countries AvailableAll regions |
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