Overview

The first to focus on the (re-)presentations of oil in dramatic literature, theatre, and performance, Oil and Modern World Dramas is a pioneering volume in the emerging field of Oil Literatures and Cultures, and the more established field of World Literatures. Through close analysis, Fakhrkonandeh demonstrates how these dramatic works depict oil, both in its perceived nature and character, as an overdetermined matter/sign/object: a symbol (of freedom, autonomy, speed, wealth, modernity, enlightenment), a commodity, a social-cultural agent, a social relation, and a hyper-object. This book is also distinguished by its innovative and critically manifold conceptual framework, positing the petro-literatures and petro-cultures an inextricable part of a global network. Oil and Modern World Dramas not only demonstrates how the chosen works of petro-drama manifest these concepts in their social-political vision, aesthetics and historical-ontological dynamics, but also reveals how they deploy such assemblage-based approaches both as a cartographical means and aesthetic method for exposing the systemic (Capitalocenic) nature of petro-capitalist exploitation, and as means of proposing ways of resistance and producing alternative modes of subjectivity, community, relationality, and economy.

Full Product Details

Author:   Alireza Fakhrkonandeh
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9780367682057

ISBN 10:   0367682052
Pages:   384
Publication Date:   09 October 2024
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Not yet available  
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Table of Contents

"Acknowledgments Prelude Introduction Modern And Contemporary Oil Dramas and Cultures Chapter One Oil, the Crisis of Representation, and the Dramatic Form Chapter Two Conjonctural Cycles of Capitalist Oil Extraction in Western Peripheries: Leo Lania’s Konjunktur 1 (1928) Chapter Three ""on a wave of oil England swam towards victory […] our weapon of choice was oil"": Oil Monopoly, Petro-Dramaturgical Aesthetics and Capitalocene in Leo Lania’s Konjunktur 2 Chapter Four ""Oil Is an Idea"": From Production to Anti-Production in Leo Lania’s Oil Field (1934) Chapter Five ""It’s not easy to make oil and love run in harness together"": ""Petroleum Odes,"" ""Oil Odour,"" and ""Odious Coolies"" in Lion Feuchtwanger’s Oil Islands Works Cited Index"

Reviews

“On the whole, Fakhrkonandeh’s work is a ground-breaking contribution to the fields of energy and environmental humanities. It is deeply researched, theoretically rigorous, and compellingly argued. It is recommended for all scholars of drama and theatre studies, energy and environmental humanities, and related literatures.” --Yiğit Sümbül, Ankara Haci Bayram Veli University, Turkey

Author Information

Alireza Fakhrkonandeh is Assistant Professor in Modern and Contemporary Drama and Literary Theory at the University of Southampton, UK. He has recently finished two books, titled Body and Event in Howard Barker’s Theatre of Catastrophe (2019) and Evental Ontology, Immanent Ethics and Affective Aesthetics in Howard Barker’s Drama (under review). He completed his PhD at Warwick University (2015; funded by WU). Fakhrkonandeh holds degrees in English Literature and Literary Theory (PhD), Continental Philosophy (MA), and Medical Humanities (PhD). His works have featured in various journals and books, including Symploke, Textual Practice, Comparative Drama, English Studies, JCDE, ANQ, The Edinburgh History of Reading (2020), and The Somaesthetics of City Life (2019). He is also a professional academic translator. He is the sole authorized translator of Howard Barker’s works into Persian.

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