Free Delivery Over $100
|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Brent Auerbach (Associate Professor of Music Theory, Associate Professor of Music Theory, University of Massachusetts Amherst)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.90cm , Height: 3.10cm , Length: 15.70cm Weight: 0.748kg ISBN: 9780197526026ISBN 10: 0197526020 Pages: 400 Publication Date: 17 September 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order  Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviewsAuerbach's book is at once engaging and rigorous. We have long needed such a comprehensive approach to a concept that has occupied, even bedeviled, music theorists for centuries. * Walter Frisch, Columbia University * At every turn the author seems eager to engage a broad audience of interested readers beyond the community of professional music theorists. Following a detailed survey of historical perspectives on musical motive, Auerbach offers an original system of terminology and brings his methodology to bear on a wide range of repertoire. Specialists and non-specialists will appreciate his accessible style and his engagement with musical favorites from the Baroque era through Radiohead. * Evan Jones, Florida State University * Auerbach's book is at once engaging and rigorous. We have long needed such a comprehensive approach to a concept that has occupied, even bedeviled, music theorists for centuries. -- Walter Frisch, Columbia University At every turn the author seems eager to engage a broad audience of interested readers beyond the community of professional music theorists. Following a detailed survey of historical perspectives on musical motive, Auerbach offers an original system of terminology and brings his methodology to bear on a wide range of repertoire. Specialists and non-specialists will appreciate his accessible style and his engagement with musical favorites from the Baroque era through Radiohead. -- Evan Jones, Florida State University At every turn the author seems eager to engage a broad audience of interested readers beyond the community of professional music theorists. Following a detailed survey of historical perspectives on musical motive, Auerbach offers an original system of terminology and brings his methodology to bear on a wide range of repertoire. Specialists and non-specialists will appreciate his accessible style and his engagement with musical favorites from the Baroque era through Radiohead. * Evan Jones, Florida State University * Auerbach's book is at once engaging and rigorous. We have long needed such a comprehensive approach to a concept that has occupied, even bedeviled, music theorists for centuries. * Walter Frisch, Columbia University * Author InformationBrent Auerbach, Associate Professor of Music Theory, University of Massachusetts Amherst Brent Auerbach is Associate Professor of Music Theory at the University of Massachusetts Amherst. His research focuses on formalizing the concept of the musical motive and extending its applications for analysis. Other research interests include the music of Brahms, the aesthetics of Baroque composition and counterpoint, harmonic sequences, and music theory pedagogy. Dr. Auerbach has published articles in The Journal of Music Theory, Music Theory Online, Theory and Practice, Intégral, and in The Routledge Companion to Music Theory Pedagogy, ed. by Leigh VanHandel (2020). Tab Content 6Author Website:Countries AvailableAll regions |
||||
