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OverviewThis investigation of Polish, Jewish, and German sources demonstrates the roles of music in occupied Poland. Its former citizens had their access to music controlled by the Nazi Ministry of Propaganda. It was rationed as other goods, depending on racial (i.e. also legal) status. Official music performances served as a propagandistic tool to further divide the Nazi-segregated population. Music played clandestinely embodied resistance. It restored the sense of community and helped save musicians persecuted as Jews, like Władysław Szpilman. The documents analyzed in the monograph confirm the dehumanization of prospective victims, mixed with a narcissistic self-righteous view of Nazi songs and propaganda ultimately led to the organized presence of music in the Holocaust sites. Full Product DetailsAuthor: Maciej Gołąb , Katarzyna NaliwajekPublisher: Peter Lang AG Imprint: Peter Lang AG Edition: New edition Volume: 25 Weight: 0.526kg ISBN: 9783631881705ISBN 10: 3631881703 Pages: 354 Publication Date: 28 February 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsNazi pseudo-musicology – Occupied Poland – Holocaust – Music in Occupied Poland – Nazi propaganda – music as resistanceReviewsAuthor InformationKatarzyna Naliwajek, PhD, works at the Institute of Musicology, University of Warsaw, Poland. She has focused her research on music during the Nazi-Soviet occupation of Poland, Polish music in the 20th century, and connections between music and politics. Tab Content 6Author Website:Countries AvailableAll regions |
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