Overview

How does music manifest through time and, simultaneously, how does time manifest through music? For the experimental psychologist, the experience of time during music listening or performance is something that may be studied empirically. For philosophers, fundamental questions of time continue to be the subject of ongoing debate in philosophy: is time linear? What are past, present and future? What is duration and what makes a perceptual present, or moment? For the performer, musical time can exist as a subjective vehicle of expression. Although any of the three could be chosen as a starting point, the order presented in the text's structure offers a journey from empiricism to application, via contemplation. This volume deals with the complex relationship between music and time. It presents a staunchly interdisciplinary perspective defined by the terms Psychology, Philosophy and Practice. The text is divided into sections concerning ""experience"", ""enactment"" and ""meaning"", as points of intersection between the three primary methodologies of the title. As such, this is a book for the scholar, the student of music, and the interested reader. For the scholar, it offers new interconnections and comparisons. For the student, its pluralistic approach presents the most comprehensive overview available to date regarding the topic. For the interested reader, the volume offers answers to questions which concern us as listeners and audiences at concerts, gigs, and festivals.

Full Product Details

Author:   Michelle Phillips ,  Dr Matthew Sergeant ,  Adrian Bradbury ,  Dr Abigail Connor
Publisher:   Boydell & Brewer Ltd
Imprint:   The Boydell Press
Weight:   0.001kg
ISBN:  

9781783277087

ISBN 10:   1783277084
Pages:   218
Publication Date:   10 June 2022
Audience:   Professional and scholarly ,  College/higher education ,  Professional and scholarly ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction Matthew Sergeant and Michelle Phillips Part I. Experiences 1. Music Listening and the Perception of Time: The LEMI Model Michelle Phillips 2. The Remembrance of Things to Be: An Approach to Memory, Repetition, and Cyclical Structures Bryn Harrison 3. An Overview of the Psychology of Time Perception Luke A. Jones 4. The Perceptual Present and the Philosophical Puzzle of Musical Experience Abigail Connor and Joel Smith Part II. Enactments 5. Ensemble Timing in String Quartets Alan Wing, Maria Witek, Ryan Stables, and Adrian Bradbury 6. Midway Ambiguities: Disorientation and Interpretation in Long-Duration Music Philip Thomas 7. Live Coding as a Theatre of Agency and a Factory of Time Alejandro Franco Briones Part III. Meanings 8. Comparing Temporal Fictions in Tonality and Triadic Post-Tonality: Chopin's Fourth Ballade as a Link Between the Ages Jason Noble 9. Nothing Really Changes': Material Processes in and as Timein hearmleoþ-gieddunga Lauren Redhead 10. Music, Time, and Society Matthew Sergeant Conclusion: Multiplicity, Fluidity, Fragility Michelle Phillips and Matthew Sergeant Bibliography Index

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Author Information

MICHELLE PHILLIPS is a music psychologist and a Senior Lecturer at the Royal Northern College of Music. MATTHEW SERGEANT is a composer and researcher and Reader in Music at Bath Spa University. MICHELLE PHILLIPS is a music psychologist and a Senior Lecturer at the Royal Northern College of Music. MATTHEW SERGEANT is a composer and researcher and Reader in Music at Bath Spa University.

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