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OverviewMovie magazines are crucial but widely underused sources for writing the history of films and cinema. This volume brings together for the first time a wide variety of historic research of movie magazines and film trade journals, reflecting on the issue of using these sources for film/cinema historiography and on the impact of digitization processes. Mapping Movie Magazines explores this debate from different disciplinary perspectives, enlightened by case studies from the use of early film trade press to pedagogical uses of digitized periodicals. The volume explores Hollywood’s grip on movie magazines, gender in film journalism, typologies of unknown trade press and movie magazine markets, and subversive Tijuana bibles. Full Product DetailsAuthor: Daniel Biltereyst , Lies Van de VijverPublisher: Springer Nature Switzerland AG Imprint: Springer Nature Switzerland AG Edition: 1st ed. 2020 Weight: 0.465kg ISBN: 9783030332792ISBN 10: 3030332799 Pages: 324 Publication Date: 31 March 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Movie Magazines, Digitization and Film Historiography; Daniel Biltereyst & Lies Van de VijverPart A. Writing Film History1. “Nobody Knew”: Digital Humanities, Ephemeral Evidence and the Challenges of New Cinema History; Judith Thissen & Paula Eisenstein-Baker2. Variety’s Transformations: Digitizing and Analyzing the First 35 Years of a Canonical Trade Paper; Eric Hoyt3. Periodical studies, Intermediality and Cinema: Film in The Listener; Birgit Van Puymbroeck4. Film Paedagogy in the Age of Digitalization: Film Adverts from Trade and Local Papers for the Importing Asta Nielsen Database; Martin LoiperdingerPart B. Mapping5. Popular Films and Popular Spectatorship in Post-war France; Geneviève Sellier6. Mapping the Dutch Film Magazine Market, 1920s-1960s; Thunnis Van Oort7. Hollywood Imaginaries at the End of the World: Chile’s Ecran and the Construction of the International Industry from the Periphery; María-Paz Peirano8. Drumming Up Audiences: Movie Magazines, Pictorials, and Cinema History in South Africa, from 1915 to 1969; Jacqueline MaingardPart C. Industry9. Gross “Inaccuracies, Misrepresentations, and Exaggerations”: The Motion Picture Industry’s Clean-up of Movie Fan Magazines in 1934; Mary Desjardins10. Types in Type: Genres of Film Trade Journalism and Canada’s Motion Picture Weeklies; Jessica Whitehead, Louis Pelletier, and Paul S.Moore11. Movie Magazine Madness. Mapping the 1930s in Belgium; Lies Van de Vijver12. Intimate Communications: British Fan-Club Magazines and their Readers; Steve Chibnall and Ellen Wright13. Film History and the Neglect of the Adults-Only Sex Film Magazine, 1963-1983; David ChurchPart D. Authors, Stars, Fans14. Auteurs Avant la Lettre? Using Digital Movie Magazine Collections to Study Audiences’ Perception of Classical Hollywood Directors; Dominic Topp15. “At Least a Dozen Joan Crawfords”: Gender Ideology in Classical Hollywood Film Journalism, 1925-1940; Kathleen Feeley16. Early Dutch Movie Magazines and Interactive Fandom; André van der Velden17. Looking at the Movie Fans: On Pictures Published in the French Film Magazines of the Interwar Years; Myriam Juan18. “Coming Attractions”: Tijuana Bibles and the Pornographic Re-imagining of Hollywood; Phyll Smith and Ellen WrightReviewsAuthor InformationDaniel Biltereyst is Professor of Film and Media Studies at Ghent University, Belgium, where he leads the Centre for Cinema and Media Studies. He recently edited The Routledge Companion to New Cinema History (2019). Lies Van de Vijver is a postdoctoral researcher at the Centre for Cinema and Media Studies, Ghent University, Belgium, and co-investigator and project manager of European Cinema Audiences (AHRC), a comparative research into cinema audiences in the 1950s. Tab Content 6Author Website:Countries AvailableAll regions |
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