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OverviewHow are love and emotion embodied in material form? Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places and times. Addressing both designed 'things with attitude' and the 'wild things' of material culture, Love Objects explores a wide range of objects, from 19th-century American portraits displaying men's passionate friendships to the devotional and political meanings of religious statues in 1920s Ireland. Full Product DetailsAuthor: Dr Anna Moran , Dr Sorcha O'BrienPublisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Dimensions: Width: 18.90cm , Height: 1.30cm , Length: 24.60cm Weight: 0.571kg ISBN: 9780857858467ISBN 10: 0857858467 Pages: 184 Publication Date: 28 August 2014 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of Contents"Editors' Foreword; Anna Moran, National College of Art and Design, Ireland and Sorcha O'Brien, Kingston University, UK Introduction: How Do I Love Thee? Objects of Endearment in Contemporary Culture; Victor Margolin, University of Illinois, Chicago Part 1: The Lives of Objects 1. ""I Love Giving Presents"": The Emotion of Material Culture; Louise Purbrick, University of Brighton, UK 2. (S)Mother's Love, or, Baby Knitting; Jo Turney, Bath School of Art and Design, Bath Spa University, UK 3. Sex, Birth, and Nurture unto Death: Patching Together Quilted Bed Covers; Catherine Harper, University of Portsmouth, UK Part 2: Projecting and Subverting Identities 4. Bringing Out the Past: Courtly Love and Nineteenth-Century American Men's Passionate Friendship Portraits; Elizabeth Howie, Coastal Carolina University, USA 5. The Genteel Craft of Subversion: Amateur Female Shoemaking in the Late Eighteenth and Early Nineteeth Centuries; Noreen McGuire, Victoria & Albert Museum, UK 6. Performing Masculinity through Objects in Post-War America: The Playboy's Pipe; Jessica Sewell, Xi'an Jiaotong-Liverpool University, China Part 3: Objects and Embodiment 7. Seduced by the Archive: A Personal Relationship with the Archive and Collection of Objects Pertaining to the London Couturier, Norman Hartnell; Jane Hattrick, University of Brighton, UK 8. Kitsch Enchantment, and Power: The Bleeding Statues of Templemore in 1920; Ann Wilson, Cork Institute of Technology, Ireland 9. ""Magic Toyshops"": Narrative and Meaning in the Women's Sex Shop; Fran Carter, Kingston University, UK Part 4: Mediating Relationships 10. Material Memories: Making of a Collodion Memory-Text; Christina Edwards, Aberystwyth, UK 11. The Problematic Decision to Live: Irish-Romanian Home-Making and the Anthropology of Uncertainty; Adam Drazin, University College London, UK 12. Designing Meaningful and Lasting User Experiences; Jonathan Chapman, University of Brighton, UK Index"ReviewsLove Objects presents a dozen intriguing perspectives on how significance arises in the using and making of material things. The collection shows how exploring the roles objects play in articulating emotion helps account for the variability of meanings attached to any thing and invites us to re-imagine design. -- Tim Putnam, formerly University of Portsmouth, UK Love Objects introduces a wonderfully rich array of ideas, objects and approaches as a means to question the relationships that we have with the things that we make, use, and own, it poses that important question: 'how do I love thee'? -- Cheryl Buckley, University of Brighton, UK Love Objects is a timely exploration of why and how we love objects. Probing intersection of design and emotion across friendship, religion, sexuality, memory, identity, class and taste, the book unpacks our relationships with the material world as one deeply entangled in the fundamentals of the human condition. -- Kjetil Fallan, University of Oslo, Norway Love Objects presents a dozen intriguing perspectives on how significance arises in the using and making of material things. The collection shows how exploring the roles objects play in articulating emotion helps account for the variability of meanings attached to any thing and invites us to re-imagine design. -- Tim Putnam, formerly University of Portsmouth, UK Love Objects introduces a wonderfully rich array of ideas, objects and approaches as a means to question the relationships that we have with the things that we make, use, and own, it poses that important question: 'how do I love thee'? -- Cheryl Buckley, University of Brighton, UK Love Objects is a timely exploration of why and how we love objects. Probing the intersections of design and emotion across friendship, religion, sexuality, memory, identity, class and taste, the book unpacks our relationships with the material world as one deeply entangled in the fundamentals of the human condition. -- Kjetil Fallan, University of Oslo, Norway Love Objects presents a dozen intriguing perspectives on how significance arises in the using and making of material things. The collection shows how exploring the roles objects play in articulating emotion helps account for the variability of meanings attached to any thing and invites us to re-imagine design. -- Professor Tim Putnam, former Chair of the Editorial Board, Journal of Design History (2001-2012), UK Love Objects is a skilfully compiled collection of essays about how objects connect with the most powerful of emotions - love. It introduces a wonderfully rich array of ideas, objects and approaches that will thoroughly engage the reader. Questioning the relationships that we have with the things that we make, use, and own, it poses that important question: 'how do I love thee'? -- Professor Cheryl Buckley, University of Brighton, UK Love Objects is a timely exploration of why and how we love objects. Probing intersection of design and emotion across friendship, religion, sexuality, memory, identity, class and taste, the book unpacks our relationships with the material world as deeply entangled in the fundamentals of the human condition. -- Professor Kjetil Fallan, University of Oslo, Norway Author InformationAuthor Website: www.ncad.ieAnna Moran is Coordinator of the MA in Design History and Material Culture at the National College of Art and Design, Ireland. Sorcha O'Brien teaches Design History and Theory to Product and Furniture Design students in Kingston University, UK. Tab Content 6Author Website: www.ncad.ieCountries AvailableAll regions |
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