Learning to Carve Argillite

Awards:   Long-listed for First Nations Communities READ 2022 (Canada)
Author:   Sara Florence Davidson ,  Robert Davidson ,  Janine Gibbons
Publisher:   Portage & Main Press
ISBN:  

9781553799849


Pages:   40
Publication Date:   11 November 2021
Recommended Age:   From 7 to 10 years
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Learning to Carve Argillite


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Awards

  • Long-listed for First Nations Communities READ 2022 (Canada)

Overview

Based on Haida artist Robert Davidson's own childhood experiences, this beautiful story highlights learning through observation, as well as the role of Elders in sharing knowledge and mentorship. Learning to carve is a lifelong journey. With the help of his father and grandfather, a boy on Haida Gwaii practises to become a skillful carver. As he carefully works on a new piece, he remembers a trip to Slatechuck Mountain to gather the argillite, as well as his father’s words about the importance of looking back to help us find our way. Written by the creators of Potlatch as Pedagogy, this book brings the Sk'ad'a Principles to life through the art of Janine Gibbons.

Full Product Details

Author:   Sara Florence Davidson ,  Robert Davidson ,  Janine Gibbons
Publisher:   Portage & Main Press
Imprint:   HighWater Press
Dimensions:   Width: 20.60cm , Height: 0.80cm , Length: 22.90cm
Weight:   0.323kg
ISBN:  

9781553799849


ISBN 10:   1553799844
Pages:   40
Publication Date:   11 November 2021
Recommended Age:   From 7 to 10 years
Audience:   Children/juvenile ,  Children / Juvenile
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Reviews

"Davidson and Davidson's story is a snapshot of a memory that cohesively and effectively expresses a childhood embedded in love, in family, in tradition, and in art. The artwork is beautiful and thoughtful, often requiring second and third looks to pick up hidden details as the colours and flow of the images draw the eye over the pages. Highly recommended. -- ""CM Association"" A quiet, beautiful meditation on how traditions are kept alive by passing them down from one generation to the next, by remembering the ways things were so we can more clearly see the way things can be. Shaped by youth, under the watchful guidance of Elders, like etchings in argillite. --David A. Robertson"


A quiet, beautiful meditation on how traditions are kept alive by passing them down from one generation to the next, by remembering the ways things were so we can more clearly see the way things can be. Shaped by youth, under the watchful guidance of Elders, like etchings in argillite. --David A. Robertson


Davidson and Davidson's story is a snapshot of a memory that cohesively and effectively expresses a childhood embedded in love, in family, in tradition, and in art. The artwork is beautiful and thoughtful, often requiring second and third looks to pick up hidden details as the colours and flow of the images draw the eye over the pages. Highly recommended. -- CM Association A quiet, beautiful meditation on how traditions are kept alive by passing them down from one generation to the next, by remembering the ways things were so we can more clearly see the way things can be. Shaped by youth, under the watchful guidance of Elders, like etchings in argillite. --David A. Robertson


Author Information

Sara Florence Davidson (she/her) is a Haida/Settler Assistant Professor in Indigenous Education in the Faculty of Education at Simon Fraser University. Previously, she was an educator working with adolescents in the K-12 system in British Columbia and Yukon Territory. Sara is the co-author of Potlatch as Pedagogy: Learning through Ceremony­, which she wrote with her father, and Magical Beings of Haida Gwaii, which she wrote with her stepmother, Terri-Lynn Williams-Davidson. When she is not reading or writing, Sara can be found walking with her dog, drinking tea, or listening to stories and learning something new. Robert Davidson is one of the most respected and important contemporary artists in Canada. A Northwest Coast native of Haida descent, he is a master carver of totem poles and masks and works in a variety of other media as a printmaker, painter, and jeweller. A leading figure in the renaissance of Haida art and culture, Robert is best known as an impeccable craftsman whose creative and personal interpretation of traditional Haida form is unparalleled. He has also been recognized with many awards, including being named an Officer to the Order of Canada. Janine Gibbons, a Haida Raven of the Double-Fin Killer Whale Clan, Brown Bear House, is a multi-disciplinary artist and award-winning illustrator. Janine’s works are inspired by the waters and lands of the Pacific Northwest, and their myriad colours, energies, and languages. Janine graduated from the Art Institute of Seattle and Fort Lewis College in Durango, Colorado. Janine has illustrated four books in the Sealaska Heritage’s Baby Raven Reads series, including Raven Makes the Aleutians, an AIYLA Honor Book, and most recently Nang Jáadaa Sg̱áana ‘Láanaa aa Isdáayaan (The Woman Carried Away by Killer Whales), which is entirely in the Haida language Xaad Kíl.

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