Knockout: The Boxer and Boxing in American Cinema

Author:   Leger Grindon
Publisher:   University Press of Mississippi
ISBN:  

9781604739886


Pages:   320
Publication Date:   30 May 2011
Format:   Hardback
Availability:   Awaiting stock   Availability explained
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Knockout: The Boxer and Boxing in American Cinema


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Full Product Details

Author:   Leger Grindon
Publisher:   University Press of Mississippi
Imprint:   University Press of Mississippi
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.642kg
ISBN:  

9781604739886


ISBN 10:   1604739886
Pages:   320
Publication Date:   30 May 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Reviews

Leger Grindon's knowledgeable and astute look at the boxing film is a model of genre criticism. He has managed to say fresh and interesting things about an important group of films, some well-known, some less known than they should be. His analyses are informed and insightful. Not only is this the definitive work on the boxing film; it has valuable things to say about film genre generally and about the role of genre criticism. <br><br><br><br>--Edward Buscombe, author of Injuns! Native Americans in the Movies <br><br>


A very smart and accessible study of an important Hollywood genre. Grindon's knowledge of the social and historical background of boxing informs his excellent analysis of the films.--Aaron Baker, Arizona State University, author of Contesting Identity: Sports in American Film Leger Grindon's knowledgeable and astute look at the boxing film is a model of genre criticism. He has managed to say fresh and interesting things about an important group of films, some well-known, some less known than they should be. His analyses are informed and insightful. Not only is this the definitive work on the boxing film; it has valuable things to say about film genre generally and about the role of genre criticism.--Edward Buscombe, author of Injuns! Native Americans in the Movies


�Leger Grindon�s knowledgeable and astute look at the boxing film is a model of genre criticism. He has managed to say fresh and interesting things about an important group of films, some well-known, some less known than they should be. His analyses are informed and insightful. Not only is this the definitive work on the boxing film; it has valuable things to say about film genre generally and about the role of genre criticism.� �Edward Buscombe, author of Injuns! Native Americans in the Movies �A very smart and accessible study of an important Hollywood genre. Grindon�s knowledge of the social and historical background of boxing informs his excellent analysis of the films.� �Aaron Baker, Arizona State University, author of Contesting Identity: Sports in American Film Leger Grindon's knowledgeable and astute look at the boxing film is a model of genre criticism. He has managed to say fresh and interesting things about an important group of films, some well-known, some less known than they should be. His analyses are informed and insightful. Not only is this the definitive work on the boxing film; it has valuable things to say about film genre generally and about the role of genre criticism. --Edward Buscombe, author of Injuns! Native Americans in the Movies A very smart and accessible study of an important Hollywood genre. Grindon's knowledge of the social and historical background of boxing informs his excellent analysis of the films. --Aaron Baker, Arizona State University, author of Contesting Identity: Sports in American Film Leger Grindon s knowledgeable and astute look at the boxing film is a model of genre criticism. He has managed to say fresh and interesting things about an important group of films, some well-known, some less known than they should be. His analyses are informed and insightful. Not only is this the definitive work on the boxing film; it has valuable things to say about film genre generally and about the role of genre criticism. Edward Buscombe, author of Injuns! Native Americans in the Movies A very smart and accessible study of an important Hollywood genre. Grindon s knowledge of the social and historical background of boxing informs his excellent analysis of the films. Aaron Baker, Arizona State University, author of Contesting Identity: Sports in American Film


Author Information

Leger Grindon, Middlebury, Vermont, is a professor of film studies at Middlebury College where he has taught since 1987. He is the author of Shadows on the Past: Studies in the Historical Fiction Film and Hollywood Romantic Comedy: Conventions, History, Controversies.

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