Overview

When used in India, the term Kala pani refers to the cellular jail in Port Blair, where the British colonisers sent a select category of freedom fighters. In the diaspora it refers to the transoceanic migration of indentured labour from India to plantation colonies across the globe from the mid-19th century onwards. This volume discusses the legacies of indenture in the Caribbean, Reunion, Mauritius, and Fiji, and how they still imbue our present. More importantly, it draws attention to India and raises new questions: doesn’t one need, at some stage, to wonder why this forgotten chapter of Indian history needs to be retrieved? How is it that this history is better known outside India than in India itself? What are the advantages of shining a torch onto a history that was made invisible? Why have the tribulations of the old diaspora been swept under the carpet at a time when the successes of the new diaspora have been foregrounded? What do we stand to gain from resurrecting these histories in the early 21st century and from shifting our perspectives? A key volume on Indian diaspora, modern history, indentured labour, and the legacy of indentureship, this co-edited collection of essays examines these questions largely through the frame of important works of literature and cinema, folk songs, and oral tales, making it an artistic enquiry of the past and of the present. It will be of great interest to scholars and researchers of world history, especially labour history, literature, postcolonial studies, cultural studies, diaspora studies, sociology and social anthropology, Indian Ocean studies, and South Asian studies.

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9781032161969

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Reviews

"“How exciting and unusual to come across a multi-disciplinary approach to the understanding of Indentureship, and the Kala Pani crossings in particular, giving space to historical and literary analyses as well as to musicology and the study of Cinema. What is especially superb is the involvement of Indian scholars from India, given that Indentureship and its legacies are hardly remembered in academia there. The highly ambitious and praiseworthy attempt of this book is to give Kala Pani Studies significance, thus enabling a rich relationship with Middle Passage/Atlantic Studies.” — David Dabydeen, Director, Ameena Gafoor Institute; formerly, University of Warwick, 1984–2019); Guyana's Ambassador to China (2010–2015); Guyana's Ambassador to UNESCO (1997–2010) “The Kala pani paradigm has been central to me for the past 30 years. It enabled me to elaborate a matrix of new cultural visions and social relations. It fostered an archipelagic humanism of diversity to emerge in the Global South, enhancing a creative praxis in post-indentureship. In keeping with the Kala pani episteme, this collection deftly explores the dark waters aesthetics. In the wake of a growing interest for indenture in academia, it constitutes a remarkable chapter of present-day transdisciplinary scholarship, making representations, memories and histories of the ‘coolie’ trade more fluid.” — Khal Torabully, poet, film-maker and author of the ‘Coolitude: An Anthology of the Indian Labour Diaspora’ ""This volume is an essential read for anyone interested in the Indian diasporas formed in the wake of the indentured labour system. It is a pioneering analysis, crucial to the mapping of the recently formed 'Kala Pani studies'. The importance of those 'Kala Pani Crossings', though much-ignored in India, is weighed and explored, highlighting the centrality of the moment for the writing of a new national narrative for India."" — Françoise Le Jeune, British Imperial history, Nantes University; co-convenor of DIASCOM “The essays in this collection provide a rich and nuanced account and analysis – from literature to cinema and from narratives to songs – of the histories of crossing the Kala Pani. ‘Kalapani crossing' certainly enhances India's understanding of the nineteenth-century Indian labour migration overseas under the indenture system.” — Ashutosh Kumar, author of the ‘Coolies of the Empire’"

Author Information

Ashutosh Bhardwaj is an independent writer, journalist, and literary critic. He has worked with the leading daily The Indian Express and has been a Fellow at the Indian Institute of Advanced Study, Shimla (2017–2019). Besides, he has received several awards and fellowships for his work as a journalist and critic. He has three books to his credit: a short story collection (Jo Frame Men Na The, 2010), a book of essays on literature (Pitra-Vadh, 2019), and a novelistic account of the Maoist insurgency in Bastar (The Death Script, 2020), which was shortlisted for Tata Lit Fest and awarded the Non-Fiction Book of the Year 2020 at Bangalore Lit Fest. He has also published numerous articles and reviews and has presented academic papers in several national and international seminars. Judith Misrahi-Barak is Associate Professor at University Paul Valéry Montpellier 3, France, where she teaches English and Postcolonial literatures. A member of EMMA, she has published numerous articles and book chapters. Her areas of specialisation are Anglophone Caribbean, Indo- and Sino-Caribbean literatures, diaspora, and migrant writing. She is General editor of the series PoCoPages (Collection ‘Horizons anglophones’, University Press of the Mediterranean, Montpellier). Borders and Ecotones in the Indian Ocean is the most recent volume (2020), http://www.pulm.fr/index.php/collections/horizons-anglophones/pocopages.html. She was Co-Investigator on the AHRC Research Network series on ‘Writing, Analysing, Translating Dalit Literature’ (2014–2016). She is also Co-Investigator on the AHRC Follow-on Funding for Impact and Engagement on ‘On Stage and on Page: Celebrating Dalit and Adivasi Literatures and Performing Arts’ (2020–21) https://dalitliterature.wordpress.com. She has co-edited Dalit Literatures in India, with Joshil K. Abraham (Routledge 2016; 2nd edition 2018), and Dalit Text: Aesthetics and Politics Reimagined, with K. Satyanarayana and Nicole Thiara (Routledge 2019). Her monograph Entre Atlantique et océan indien - les voix de la Caraïbe anglophone is forthcoming with Classiques Garnier (Paris, 2021).

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