Overview

David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a radical contextualisation of Wagner's infamous 'Judaism in Music'.

Full Product Details

9781316639603

Table of Contents

Reviews

'An excellent book ...' Music Matters, BBC Radio 3 '[It] brings together three strands of research all too often kept separate; music history, Jewish history and the wider religious, social, political and economic context.' The Jewish Chronicle '... [a] thoroughly engrossing book, recommended to both musician and historian.' Classical Music 'Conway's book is an impressive feat, and a fine contribution to an ongoing debate.' The Wagner Journal

'An excellent book ...' Music Matters, BBC Radio 3 '[It] brings together three strands of research all too often kept separate; music history, Jewish history and the wider religious, social, political and economic context.' The Jewish Chronicle '... [a] thoroughly engrossing book, recommended to both musician and historian.' Classical Music 'Conway's book is an impressive feat, and a fine contribution to an ongoing debate.' The Wagner Journal Conway's book is an impressive feat, and a fine contribution to an ongoing debate. -The Wagner Journal

Author Information

David Conway is an Honorary Research Fellow at the Department of Hebrew and Jewish Studies, University College London. He has published articles in Slavonic and East European Studies, European Judaism and Jewish Historical Studies and is a contributor to The Wagner Journal. He is the founder and director of the international music festival 'Levočské babie leto' (Indian Summer in Levoča), Slovakia.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available