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OverviewEntangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films-Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)-as case studies to explore pressing environmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice-from sound recording to location scouting to managing a production-helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world. Full Product DetailsAuthor: Elena PastPublisher: Indiana University Press Imprint: Indiana University Press ISBN: 9780253039484ISBN 10: 0253039487 Pages: 226 Publication Date: 09 January 2019 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments Note on Translation On Location: Italian Ecocinema 1. Hydrocarbons, Moving Pictures, Time: Red Desert 2. Location, Dirty Cinema, Toxic Waste, Storytelling: Gomorrah 3. Posthuman Collaboration, Cohabitation, Sacrifice: The Wind Blows Round 4. Silence, Cinema, More-than-Human Sound: Le quattro volte 5. Volcanoes, Transgenerational Memory, Cinema: Return to the Aeolian Islands Epilogue Bibliography IndexReviewsPart memoir, part close analysis of the films themselves, and illustrated with numerous excellent frame grabs, Past's book casts a dreamlike spell as it contemplates the past, present, and future of the cinema and moves smoothly between environmental issues and aesthetic and practical concerns. * Choice * Part memoir, part close analysis of the films themselves, and illustrated with numerous excellent frame grabs, Past's book casts a dreamlike spell as it contemplates the past, present, and future of the cinema and moves smoothly between environmental issues and aesthetic and practical concerns. * Choice * Author InformationElena Past is Associate Professor of Italian in the Department of Classical and Modern Languages, Literatures, and Cultures at Wayne State University. She is author of Methods of Murder: Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction, editor (with Deborah Amberson) of Thinking Italian Animals: Human and Posthuman in Modern Italian Literature and Film, and editor (with Serenella Iovino and Enrico Cesaretti) of Italy and the Environmental Humanities: Landscapes, Natures, Ecologies. Tab Content 6Author Website:Countries AvailableAll regions |
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