Free Delivery Over $100
|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Violetta Kostka , Paulo F. de Castro , William A. EverettPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.258kg ISBN: 9780367552916ISBN 10: 0367552914 Pages: 234 Publication Date: 09 January 2023 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Violetta Kostka, Paulo F. de Castro and William A. Everett Part I. Musical Intertextuality: Defining the Field Lawrence Kramer, What Is (Is There?) Musical Intertextuality Nicholas Cook, Mashed-up Classics Michael L. Klein, Intertextuality and a New Subjectivity J. Peter Burkholder, Making Old Music New: Performance, Arranging, Borrowing, Schemas, Topics, Intertextuality Part II. The Intertextual Poetics of Music Violetta Kostka, Intertextual Poetics: From Ryszard Nycz’s Theory to Paweł Szymański’s Music Katarzyna Szymańska-Stułka, Barbara Skarga's ‘Trace and Presence’ as an Intertextual Category in Music: The Case of Dariusz Przybylski’s ‘Schübler Choräle’ for Organ, Op. 48 Alexander Kolassa, Intertextuality and (Modernist) Medievalism in British Post-War Music Part III. In Light of Genette’s Transtextuality Paulo F. de Castro, Transtextuality according to Gérard Genette ─ and beyond William A. Everett, ‘The Geisha’ (1896) as a Locus of Transtextuality in Popular Musical Theatre Nils Grosch, Musical Comedy, Pastiche and the Challenge of ‘Rewriting’ Part IV. Constructing Meaning through Intertextual Music Tijana Popović Mladjenović and Leon Stefanija, The Musical Text as a Polyphonic Trace of Otherness Mark Hutchinson, ‘Strange and dead the ghosts appear’: Mythic Absence in Hölderlin, Adorno and Kurtág Francesca Placanica, Constructing ‘Cathy’: Intertextuality and Intersubjectivity in Luciano Berio’s ‘Recital I (for Cathy)’ Edward Venn, Findings, Keepings and Borrowings: Uncanny Intertextuality in Thomas Adès’s ‘Powder Her Face’ReviewsAuthor InformationVioletta Kostka trained as a musicologist at the University of Poznań and received her PhD and habilitation from the Institute of Art of the Polish Academy of Sciences in Warsaw. Paulo F. de Castro, PhD, University of London (Royal Holloway), is Associate Professor and Head of the Musicology Department at Universidade Nova, Lisbon. William A. Everett, PhD, is Curators’ Distinguished Professor of Musicology at the University of Missouri-Kansas City Conservatory. Tab Content 6Author Website:Countries AvailableAll regions |
||||
