Overview

While thinking and writing, she weaves together disparate writers and artists - Mary Wollstonecraft, Jean Genet, Virginia Woolf, Janet Malcolm, Chantal Akerman, and Roland Barthes, among many others - in a way that is both elliptical and direct, clearheaded and personal, prismatic and self-examining, layering narratives to reveal the thorny but nourishing relationship between art and life. 'Her work is steeped in literature and theory without being deformed by contemporary iterations of such. I have a deep admiration of her as an artist, writer, thinker and person.' - Maggie Nelson

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9781913097264

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Reviews

'Davey has constructed a practice conscious of its own past and reliant on radical self-doubt. Her photographs, films, and essays cross-reference and depend on one another as she makes a subject of her own process and its intentions, fears, and failures.' - PARIS REVIEW

'Her work is steeped in literature and theory without being deformed by contemporary iterations of such. I have a deep admiration of her as an artist, writer, thinker and person.' - Maggie Nelson, ARTFORUM

Author Information

Moyra Davey is a New York-based artist whose work comprises the fields of photography, film and writing. She has produced several works of film, most recently i confess (2019), which will premiere in North America at the Museum of Modern Art. She is the author of Burn the Diaries, The Problem of Reading, and is the editor of Mother Reader: Essential Writings on Motherhood. Her work is held in major public collections, including the Museum of Modern Art and the Metropolitan Museum of Art in New York, and Tate Modern in London. She is a 2020 recipient of the John S. Guggenheim Memorial Foundation Fellowship.

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