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"""Like all but very few Canadians, I've had no real experience of the North — I've remained, of necessity, an outsider. And the North has remained for me a convenient place to dream about, spin tall tales about and, in the end, avoid."" — Andrew Hunter Outsiders, dreamers, tall tales. Lawren Harris's visionary North, his idea of North, was shaped in Toronto. In this fascinating little book, Andrew Hunter explores the historic Toronto of Lawren Harris: a city of great diversity and dense urban growth. Harris often painted in the Ward (St. John's Ward), a downtown neighbourhood bordered by College and Queen, University and Yonge streets. The Ward was of deep significance to First Nations communities; it marked the end of the Underground Railroad for many fugitive slaves; it housed the city's first Chinatown; and was home to the immigrant poor of Europe and the United Kingdom."

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9781894243896

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Like all but very few Canadians, I've had no real experience of the North -- I've remained, of necessity, an outsider. And the North has remained for me a convenient place to dream about, spin tall tales about and, in the end, avoid. -- Andrew Hunter

"""Like all but very few Canadians, I've had no real experience of the North -- I've remained, of necessity, an outsider. And the North has remained for me a convenient place to dream about, spin tall tales about and, in the end, avoid."" -- Andrew Hunter"

Author Information

Andrew Hunter is a freelance curator, artist, writer, and educator. Hunter was previously the Frederik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario, where he produced major exhibitions and publications including Every Now Then: Reframing Nationhood, In the Ward: Lawren Harris, Toronto & the Idea of North, and Colville. Born in Hamilton and a graduate of the Nova Scotia College of Art & Design, Hunter has held curatorial positions across Canada, including at the Vancouver Art Gallery and the Art Gallery of Hamilton. He has taught at the Ontario College of Art and Design University and the University of Waterloo and lectured on curatorial practice across Canada, the United States, England, China, and Croatia. He is a member of the advisory board for the Institute for the Study of Canadian Slavery at NSCAD.

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