Overview

"""[Hillman's] work is fierce but loving, risk-taking, and beautiful."" — Harvard Review   An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry.   During an enchantment in the life     Do you love a living person         absolutely? Tell them now. In a half-unwieldy life you made, under the hyaline sky, while the dead          drank from zigzag pools nearby, if they saved you in your wild incapacities,           in timing of the world's harm in a little pettiness in your own heart while others took          your madrigals in shreds to a tribunal,          when others said you should feel grateful         to be minimally adequate for the world's triple exposure or some tired committee...            The ones who love us, how do they break through our defenses?          We're tired today. Come back later. Their baffled voices melting our wax walls with a candle, the ones who understand what being is—the glowing, the broken,   the wheels, the brave ones—         they have their courage, you have yours,,,;          when you meet the one you love, it is so rare. When you meet the one who loves you, it is extremely rare."

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Reviews

"""Hillman's latest collection gathers meditations on time, nature, contemporary life, social justice, and 'the ragged white moth of history' in one gorgeous stampede. These are all big poems, fully observed and richly packed with Hillman's customary linguistic brio and visceral toughness.""--Barbara Hoffert, Library Journal Best Books of 2022 ""This is a major book for our time, never turning away from erosion and the passage of time, the loss of ecosystems, and the aging of [the poet's] own body.""--Susan McCabe, Colorado Review ""There's no summarizing Brenda Hillman's poetry...[she] speaks like an amplified inner life, an intimate friend, a conscience.""--Craig Morgan Teicher, NPR Staff picks ""Books We Love"" ""Hillman's] most recent books are rooted in broad social and ecological interests: 'passion' is a better term. She has invented a kind of dialogue with the earth; she writes with an intimacy and directness few equal and a magnificence of conception almost no one aspires to.""--Citation from the American Academy of Arts and Letters (Morton Dauwen Zabel Award 2020)"

"""[Hillman's] most recent books are rooted in broad social and ecological interests: 'passion' is a better term. She has invented a kind of dialogue with the earth; she writes with an intimacy and directness few equal and a magnificence of conception almost no one aspires to.""--Citation from the American Academy of Arts and Letters (Morton Dauwen Zabel Award 2020) ""Hillman's latest collection gathers meditations on time, nature, contemporary life, social justice, and 'the ragged white moth of history' in one gorgeous stampede. These are all big poems, fully observed and richly packed with Hillman's customary linguistic brio and visceral toughness.""--Barbara Hoffert, Library Journal Best Books of 2022 ""This is a major book for our time, never turning away from erosion and the passage of time, the loss of ecosystems, and the aging of [the poet's] own body.""--Susan McCabe, Colorado Review ""There's no summarizing Brenda Hillman's poetry...[she] speaks like an amplified inner life, an intimate friend, a conscience.""--Craig Morgan Teicher, NPR Staff picks ""Books We Love"""

Author Information

BRENDA HILLMAN (Kensington, CA) is the author of 11 books of poetry from Wesleyan University Press. She has co-edited numerous books, including At Your Feet by Brazilian poet Ana Cristina Cesar. A former Chancellor at the Academy of American Poets and a recent recipient of the Morton Dauwen Zabel Award from the American Academy of Arts and Letters for innovation in literature, she is Professor Emerita at Saint Mary's College of California and lives with her husband Robert Hass.

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