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OverviewAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Improvising Reconciliation is prompted by South Africa’s enduring state of injustice. It is both a lament for the promise, since lost, with which non-racial democracy was inaugurated and, more substantially, a space within which to consider its possible renewal. As such, this study lobbies for an expanded approach to the country’s formal transition from apartheid in order to grapple with reconciliation’s ongoing potential within the contemporary imaginary. It does not, however, presume to correct the contradictions that have done so much to corrupt the concept in recent decades. Instead, it upholds the language of reconciliation for strategic, rather than essential, reasons. And while this study surveys some of the many serious critiques levelled at the country’s Truth and Reconciliation Commission (1996-2001), these misgivings help situate the plural, improvised approach to reconciliation that has arguably emerged from the margins of the cultural sphere in the years since. Improvisation serves here as a separate way of both thinking and doing reconciliation. It recalibrates the concept according to a series of deliberative, agonistic and iterative, rather than monumental, interventions, rendering reconciliation in terms that make failure a necessary condition for its future realisation. Full Product DetailsAuthor: Ed CharltonPublisher: Liverpool University Press Imprint: Liverpool University Press Dimensions: Width: 15.60cm , Height: 1.20cm , Length: 23.40cm Weight: 0.327kg ISBN: 9781800349261ISBN 10: 1800349262 Pages: 256 Publication Date: 15 November 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsACKNOWLEDGEMENTS LIST OF IMAGES INTRODUCTION: ‘THIS THING CALLED RECONCILIATION’ CHAPTER ONE: APARTHEID ACTING OUT: DUMA KUMALO AND THE MELANCHOLY SCENE OF CONFESSION CHAPTER TWO: RISKING RECONCILIATION: ON TRAGEDY, FAILURE, AND TRANSGRESSION CHAPTER THREE: THE MELODRAMA OF FORGIVENESS: PROPRIETY AND POPULAR FILM CHAPTER FOUR: TELLING STORIES THE WAY WE LIKE: ZULU LOVE LETTER AND RECONCILIATION’S RITES CONCLUSION BIBLIOGRAPHYReviewsImprovising Reconciliation revisits the concept of reconciliation, popularised globally through the work of South Africa's Truth and Reconciliation Commission, to reimagine its potential for racial justice. Lucid, critical and generous, the book presents reconciliation as an unstable and contingent 'problem space' in which risks and improvisations in reconciliation's name may yet afford opportunities to reimagine and rework justice. By exploring performances inspired by the truth commission, Charlton develops a powerful argument that the concept retains political and ethical charge and has the capaciousness to produce futures otherwise. Professor Fiona Ross, University of Cape Town 'Improvising Reconciliation revisits the concept of reconciliation, popularised globally through the work of South Africa's Truth and Reconciliation Commission, to reimagine its potential for racial justice. Lucid, critical and generous, the book presents reconciliation as an unstable and contingent 'problem space' in which risks and improvisations in reconciliation's name may yet afford opportunities to reimagine and rework justice. By exploring performances inspired by the truth commission, Charlton develops a powerful argument that the concept retains political and ethical charge and has the capaciousness to produce futures otherwise.' Professor Fiona Ross, University of Cape Town. Author InformationEd Charlton is a British Academy Postdoctoral Research Fellow at the London School of Economics and Political Science. Tab Content 6Author Website:Countries AvailableAll regions |