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Author:   David Damschroder (University of Minnesota)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.20cm , Height: 1.70cm , Length: 24.50cm
Weight:   0.700kg
ISBN:  

9781108406246

ISBN 10:   1108406246
Pages:   292
Publication Date:   19 September 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part I. Methodological Orientation: Harmonic Analysis through Listening: 1. Foundation diatonic processes; 2. Surges; 3. IV5-6 V; 4. I5-6 II; 5. Surging 6-Phase chords; 6. Surges with ninths; 7. Colorful variants of II; 8. III along the path from I to V; Part II. Masterpieces: 9. Mendelssohn: Octet in E∂ Major (op. 20), Movement 1 in Response to Greg Vitercik and Benedict Taylor; 10. Mendelssohn: song without words in F Major (op. 85/1) in response to Allen Cadwallader; 11. Schumann: 'Warum?' from Phantasiestücke (op. 12) in Response to L. Poundie Burstein; 12. Mendelssohn: song without words in A∂ Major (op. 53/1) in response to Yosef Goldenberg; 13. Schumann: three songs from Liederkreis (op. 39) in Response to Charles Burkhart and David Ferris; 14. Schumann: 'Im wunderschönen Monat Mai' from Dichterliebe (op. 48, no. 1) in response to Deborah Stein; 15. Schumann: Sonata in A Minor for violin and piano (op. 105) in response to Peter H. Smith.

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Author Information

David Damschroder is Professor of Music Theory at the University of Minnesota. His research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking about Harmony: Historical Perspectives on Analysis (Cambridge, 2008). He has since published studies on harmony in selected composers including Haydn, Mozart, Beethoven, Schubert, and Chopin, and he is the author of Tonal Analysis: A Schenkerian Perspective (2017).

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