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Gracefully written and full of surprising insights, Rosenblum's book is a tribute to the capacity of New Yorkers to create entire worlds in the smallest of places: their apartments. -Ariel Sabar, author of Heart of the City: Nine Stories of Love and Serendipity on the Streets of New York

Part urban sociology, part journalistic snooping, Constance Rosenblum's remarkable stories reveal the true variety of the meanings of home. Closely observed and beautifully written. Witold Rybczynski, author of The Biography of a Building Gracefully written and full of surprising insights, Rosenblum's book is a tribute to the capacity of New Yorkers to create entire worlds in the smallest of places: their apartments. Ariel Sabar, author of Heart of the City: Nine Stories of Love and Serendipity on the Streets of New York [T]hese 40 pieces have greater staying power than many collections of newspaper columns and show the ongoing fascination with the subject of how, where and why people live where they live. These expanded selections from the newspaper's Real Estate section are less concerned with that market - prices and square footage, though such details occasionally highlight the pieces - than they are with the stories of the inhabitants. I wanted to use the column to write stories, writes Rosenblum. I wanted to use the physical nature of a home as a wedge to delve into personal history, and to produce, as one reader nicely put it, biography through real estate. The results, she continues, offer a mosaic of domestic life in one of the great cities of the world. There are examples of shelter voyeurism that will leave readers in other parts of the country amazed at how much some are willing to pay to live in New York (often for so little space). But mainly, the interest in the home reflects the interesting people who inhabit it: the two clowns who must combine living quarters and rehearsal space (so many of these stories find residences serving double duty), the woman who rescues and nurses ailing kittens, the artists in their communal building, the stepdaughter of a famous author. Whether the living space in question is a fresh start or a link to the past, the thread of continuity throughout is that the story of urban renewal has been written, rewritten, and rewritten yet again. Some intriguing stories better read the way newspaper columns are published - one at a time - than as an extended series in one sitting. - Kirkus Reviews The tales of luck or hard work that resulted in the securing of perfect tiny shoebox apartments, rehabbed brownstones, and converted industrial spaces provide a frisson of envy that keeps us reading; it's the same urge that has us gaze up at lighted windows from the sidewalk below and wonder if someone else's house, and thus, their very existence, is better than our own. Rosenblum's profiles are a celebration of New York, and of what E.B. White called 'the gift of privacy, the jewel of loneliness' - the difficulties and pleasures of finding a place and making it a home. - Publishers Weekly Rosenblum writes evocatively about a city where neighborhoods, streets, even individual buildings are saturated with memory . Reading these pieces is like walking down a street at dusk and glancing into people's illuminated living rooms... From these fragments of lives she weaves an intimate portrait of a city and its inhabitants. - PD Smith, The Guardian

Part urban sociology, part journalistic snooping, Constance Rosenblum's remarkable stories reveal the true variety of the meanings of home. Closely observed and beautifully written. Witold Rybczynski, author of The Biography of a Building Gracefully written and full of surprising insights, Rosenblum's book is a tribute to the capacity of New Yorkers to create entire worlds in the smallest of places: their apartments. Ariel Sabar, author of Heart of the City: Nine Stories of Love and Serendipity on the Streets of New York [T]hese 40 pieces have greater staying power than many collections of newspaper columns and show the ongoing fascination with the subject of how, where and why people live where they live. These expanded selections from the newspaper's Real Estate section are less concerned with that market - prices and square footage, though such details occasionally highlight the pieces - than they are with the stories of the inhabitants. I wanted to use the column to write stories, writes Rosenblum. I wanted to use the physical nature of a home as a wedge to delve into personal history, and to produce, as one reader nicely put it, biography through real estate. The results, she continues, offer a mosaic of domestic life in one of the great cities of the world. There are examples of shelter voyeurism that will leave readers in other parts of the country amazed at how much some are willing to pay to live in New York (often for so little space). But mainly, the interest in the home reflects the interesting people who inhabit it: the two clowns who must combine living quarters and rehearsal space (so many of these stories find residences serving double duty), the woman who rescues and nurses ailing kittens, the artists in their communal building, the stepdaughter of a famous author. Whether the living space in question is a fresh start or a link to the past, the thread of continuity throughout is that the story of urban renewal has been written, rewritten, and rewritten yet again. Some intriguing stories better read the way newspaper columns are published - one at a time - than as an extended series in one sitting. - Kirkus Reviews

Author Information

Constance Rosenblum, most recently the author of the Habitats column published in the Real Estate section of The New York Times, was a longtime editor of the paper’s City section and a former editor of the Times’s Arts and Leisure section. She is the author of Boulevard of Dreams: Heady Times, Heartbreak, and Hope Along the Grand Concourse in the Bronx.

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