Overview

This book examines the heritage of critical theory from the Hungarian Marxist philosopher Georg Lukacs through the early Frankfurt School up to current issues of authoritarian politics and democratisation. Interweaving discussion of art and literature, utopian thought, and the dialectics of high art and mass culture, it offers unique perspectives on an interconnected group of left-wing intellectuals who sought to understand and resist their society's systemic impoverishment of thought and experience. Starting from Lukacs's reflections on art, utopia, and historical action, it progresses to the Frankfurt School philosopher Theodor W. Adorno's analyses of music, media, avant-garde and kitsch. It concludes with discussions of erotic utopia, authoritarianism, postsocialism, and organised deceit in show trials topics in which the legacy of Lukacs and Frankfurt School critical theory continues to be relevant today.

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9781399502429

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Reviews

For those who have concluded that Lukács has nothing more to teach us or feel exhausted by the surfeit of commentaries on Adorno, Tyrus Miller's sprightly essays on their entangled legacy will come as a refreshing surprise. He knows how to pose suggestive questions and come up with provocative answers, which demonstrate the continuing relevance of Western Marxism in the twenty-first century. --Martin Jay, University of California, Berkeley This volume by Miller (art history and English, Univ. of California, Irvine) makes an important contribution to readers' understanding of Georg Lukács, the Frankfurt School, and late modern culture. [...] A major highlight is Miller's juxtaposition of the Frankfurt School's approach to interdisciplinary research with post-Cold War efforts by artists and humanists in Hungary to come to terms with experiences under communism. Summing Up: Recommended. --Thomas Wheatland, Assumption University ""CHOICE"" This volume by Miller makes an important contribution to readers' understanding of Georg Lukács, the Frankfurt School, and late modern culture. [...] A major highlight is Miller's juxtaposition of the Frankfurt School's approach to interdisciplinary research with post-Cold War efforts by artists and humanists in Hungary to come to terms with experiences under communism. Summing Up: Recommended. --Thomas Wheatland, Assumption University ""CHOICE""

"For those who have concluded that Luk�cs has nothing more to teach us or feel exhausted by the surfeit of commentaries on Adorno, Tyrus Miller's sprightly essays on their entangled legacy will come as a refreshing surprise. He knows how to pose suggestive questions and come up with provocative answers, which demonstrate the continuing relevance of Western Marxism in the twenty-first century. --Martin Jay, University of California, Berkeley This volume by Miller (art history and English, Univ. of California, Irvine) makes an important contribution to readers' understanding of Georg Luk�cs, the Frankfurt School, and late modern culture. [...] A major highlight is Miller's juxtaposition of the Frankfurt School's approach to interdisciplinary research with post-Cold War efforts by artists and humanists in Hungary to come to terms with experiences under communism. Summing Up: Recommended. --Thomas Wheatland, Assumption University ""CHOICE"" This volume by Miller makes an important contribution to readers' understanding of Georg Luk�cs, the Frankfurt School, and late modern culture. [...] A major highlight is Miller's juxtaposition of the Frankfurt School's approach to interdisciplinary research with post-Cold War efforts by artists and humanists in Hungary to come to terms with experiences under communism. Summing Up: Recommended. --Thomas Wheatland, Assumption University ""CHOICE"""

Author Information

Tyrus Miller is professor of Art History and English at University of California, Irvine. He is the author of Modernism and the Frankfurt School (EUP, 2014); Singular Examples: Artistic Politics and the Neo-Avant-Garde (Northwestern University Press, 2009); Late Modernism: Politics, Fiction, and the Arts Between the World Wars (University of California Press, 1999). He edited the (Cambridge University Press, 2016) and was editor and translator of Georg Lukács's post-World War II essays in Hungarian, The Culture of People's Democracy: Hungarian Essays on Literature, Art, and Democratic Transition, 1945-1948 (Brill, 2013).

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